Add to ORKGZed Alexander Hopkins ‘20 submitted this paper in Fall 2016 for Professor James Taylor’s ID1 course, Our Troubled World Imagined: Theatre and the Environment. It is one of the three papers that received honorable mention from that semester
This Senior Independent Study explores questions of human-driven catastrophe and how it is represent...
Analysing the materiality of theatre, Cormac Power uses Brecht to analyse the modernist idealisation...
Although a great deal has been written about stage objects as literary symbols, very little attentio...
Zed Alexander Hopkins ‘20 submitted this paper in Fall 2016 for Professor James Taylor’s ID1 course,...
Deconstructing, refocusing and reframing the postdramatic experience is an investigation of connecti...
The work of Vancouver-based Métis playwright Marie Clements has often been commended for its emphasi...
In his recent monograph, Marvin Carlson develops the premise first established in The Haunted Stage:...
Stage directions that defy singular interpretation and do not, in fact, direct staging have been und...
This article analyzes the shift from emotion to affect in Caryl Churchill’s writing for the theatre,...
An in-depth analysis of the preparatory work and process of the production of Festen by David Eldrid...
503 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1993.This study examines the witti...
In extracting the textual basis from which these effects are derived, an examination of the literary...
This paper relies on the notion of dramatic anchors (Dancygier, 2016), alongside cognitive linguisti...
This thesis examines the way dramaturgical techniques in Shakespeare's late plays are used to create...
This essay is in part a "psychological" analysis and in part an experimentation on applying media st...
This Senior Independent Study explores questions of human-driven catastrophe and how it is represent...
Analysing the materiality of theatre, Cormac Power uses Brecht to analyse the modernist idealisation...
Although a great deal has been written about stage objects as literary symbols, very little attentio...
Zed Alexander Hopkins ‘20 submitted this paper in Fall 2016 for Professor James Taylor’s ID1 course,...
Deconstructing, refocusing and reframing the postdramatic experience is an investigation of connecti...
The work of Vancouver-based Métis playwright Marie Clements has often been commended for its emphasi...
In his recent monograph, Marvin Carlson develops the premise first established in The Haunted Stage:...
Stage directions that defy singular interpretation and do not, in fact, direct staging have been und...
This article analyzes the shift from emotion to affect in Caryl Churchill’s writing for the theatre,...
An in-depth analysis of the preparatory work and process of the production of Festen by David Eldrid...
503 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1993.This study examines the witti...
In extracting the textual basis from which these effects are derived, an examination of the literary...
This paper relies on the notion of dramatic anchors (Dancygier, 2016), alongside cognitive linguisti...
This thesis examines the way dramaturgical techniques in Shakespeare's late plays are used to create...
This essay is in part a "psychological" analysis and in part an experimentation on applying media st...
This Senior Independent Study explores questions of human-driven catastrophe and how it is represent...
Analysing the materiality of theatre, Cormac Power uses Brecht to analyse the modernist idealisation...
Although a great deal has been written about stage objects as literary symbols, very little attentio...