Nightdreams, a single-movement work for orchestra, is approximately nine and one-half minutes in duration. The concept for Nightdreams evolves from sketching three types of sounds as photographs: melodically oriented sounds, sound-mass texture, and vertical sonorities. A twelve-note set is used to construct the pitch content of the melodically oriented sounds. This set includes the intervals of a m2, M2, m6, and T. Sound-mass textures are constructed from the same intervals that are contained in the twelve-note set plus the addition of a m3 and a P5. Vertical sonorities use the linear aspect of the twelve-note set mapped onto a set of twelve different rhythms which alternate between non-retrogradable and retrogradable. Although the piece is...
Solipsis is a six-movement composition for a seventeen-piece jazz orchestra. Each movement was comp...
Symphonic Movements is an orchestral composition in three movements: Presto, Lento, and Allegro con ...
v.1. Musical composition -- v.2. Analysis.In this paper the compositional issues and techniques empl...
text“Silvered Dreams” is a thirteen-minute composition for small orchestra, including a synthesizer...
Recurring Dreams is a symphonic work in one movement for full orchestra. Inspired by the composer's ...
In this paper I explain some compositional processes and techniques employed in my piece Nocturnales...
Midnight Fantasy (1989) is based on a three-note chromatic cluster that derives from the beginning o...
Solipsis is a six-movement composition for a seventeen-piece jazz orchestra. Each movement was compo...
Night Dance was inspired by the contemplation of opposite worlds, the Ancient and the Modern, the Ea...
Inspired by unsettling dreams, this piece is an exploration of several – specifically three – sounds...
The Silent Dragons is an 18-minute work for chamber ensemble and male chorus. The voice part has no ...
Sketches for Trombone and Orchestra, a twenty-one minute work, is organized in five contrasting move...
AN ABSTRACT OF THE THESIS OF REBECCA L. NEWBURN, for the Master of Music degree in Theory/Compositio...
Midnight Fantasy II for Alto Saxophone or Charinet in Bb and Piano is based on a cluster of half ste...
Night Music is the second instalment in a cycle of works called collectively Shadows of Destruction....
Solipsis is a six-movement composition for a seventeen-piece jazz orchestra. Each movement was comp...
Symphonic Movements is an orchestral composition in three movements: Presto, Lento, and Allegro con ...
v.1. Musical composition -- v.2. Analysis.In this paper the compositional issues and techniques empl...
text“Silvered Dreams” is a thirteen-minute composition for small orchestra, including a synthesizer...
Recurring Dreams is a symphonic work in one movement for full orchestra. Inspired by the composer's ...
In this paper I explain some compositional processes and techniques employed in my piece Nocturnales...
Midnight Fantasy (1989) is based on a three-note chromatic cluster that derives from the beginning o...
Solipsis is a six-movement composition for a seventeen-piece jazz orchestra. Each movement was compo...
Night Dance was inspired by the contemplation of opposite worlds, the Ancient and the Modern, the Ea...
Inspired by unsettling dreams, this piece is an exploration of several – specifically three – sounds...
The Silent Dragons is an 18-minute work for chamber ensemble and male chorus. The voice part has no ...
Sketches for Trombone and Orchestra, a twenty-one minute work, is organized in five contrasting move...
AN ABSTRACT OF THE THESIS OF REBECCA L. NEWBURN, for the Master of Music degree in Theory/Compositio...
Midnight Fantasy II for Alto Saxophone or Charinet in Bb and Piano is based on a cluster of half ste...
Night Music is the second instalment in a cycle of works called collectively Shadows of Destruction....
Solipsis is a six-movement composition for a seventeen-piece jazz orchestra. Each movement was comp...
Symphonic Movements is an orchestral composition in three movements: Presto, Lento, and Allegro con ...
v.1. Musical composition -- v.2. Analysis.In this paper the compositional issues and techniques empl...