Add to ORKGKenneth Noland\u27s paintings—whether his target-like compositions and their elliptical variations of the late 1950s and early 1960s; his midcareer chevrons, diamonds, and elongated horizontal bands; or his irregular polygon-shaped canvases of the 1970s—exhibit the artist\u27s formal solutions to some notoriously difficult pictorial problems, specifically those generated by the complex interrelationships between shape and color
The main focus of my research for the Master of Fine Arts has been the use of modified colour to enh...
In October, 1930, sculptor Alexander Calder was introduced to painter Piet Mondrian, and he was at o...
The chief objective of this paper is to show in what sense art and emotion can be understood and ana...
Situating Noland's work in relation to New York painting in the 1960s, Fenton examines its character...
Situating Noland's work in relation to New York painting in the 1960s, Fenton examines its character...
This paper begins by considering Jean Baudrillard’s claim that “contemporary art is only contemporar...
This thesis studies a unique development in modernist painting in the United States of America durin...
This thesis studies a unique development in modernist painting in the United States of America durin...
Presenting paintings from the chevron series, Stewart briefly outlines the influences on and develop...
Presenting paintings from the chevron series, Stewart briefly outlines the influences on and develop...
Today, little has been written about Cady Noland despite her scope and influence within the New York...
Today, little has been written about Cady Noland despite her scope and influence within the New York...
This paper investigates the ways in which American art critic Clement Greenberg transformed his art ...
In October, 1930, sculptor Alexander Calder was introduced to painter Piet Mondrian, and he was at o...
This talk will illustrate how an interdisciplinary approach, combining methods of art history, perce...
The main focus of my research for the Master of Fine Arts has been the use of modified colour to enh...
In October, 1930, sculptor Alexander Calder was introduced to painter Piet Mondrian, and he was at o...
The chief objective of this paper is to show in what sense art and emotion can be understood and ana...
Situating Noland's work in relation to New York painting in the 1960s, Fenton examines its character...
Situating Noland's work in relation to New York painting in the 1960s, Fenton examines its character...
This paper begins by considering Jean Baudrillard’s claim that “contemporary art is only contemporar...
This thesis studies a unique development in modernist painting in the United States of America durin...
This thesis studies a unique development in modernist painting in the United States of America durin...
Presenting paintings from the chevron series, Stewart briefly outlines the influences on and develop...
Presenting paintings from the chevron series, Stewart briefly outlines the influences on and develop...
Today, little has been written about Cady Noland despite her scope and influence within the New York...
Today, little has been written about Cady Noland despite her scope and influence within the New York...
This paper investigates the ways in which American art critic Clement Greenberg transformed his art ...
In October, 1930, sculptor Alexander Calder was introduced to painter Piet Mondrian, and he was at o...
This talk will illustrate how an interdisciplinary approach, combining methods of art history, perce...
The main focus of my research for the Master of Fine Arts has been the use of modified colour to enh...
In October, 1930, sculptor Alexander Calder was introduced to painter Piet Mondrian, and he was at o...
The chief objective of this paper is to show in what sense art and emotion can be understood and ana...