In this paper I argue against the theory – popular among theorists of narrative artworks – that we must posit a fictional narrative agent in every narrative artwork in order to explain our imaginative engagement with such works. I accept that every narrative must have a narrator, but I argue that in some central literary cases the narrator is not a fictional agent, but rather the actual author of the work. My criticisms focus on the strongest argument for the ubiquity of fictional narrators, Jerrold Levinson’s ontological-gap argument. Finally, I outline an alternative “minimal theory” of narrators, and some consequences thereof
Some philosophers of fiction – most famously Jerold Levinson1- have tried to argue that fictional na...
Some of the most influential accounts of the transition from the cinema of attractions to narrative ...
Subjective and personal forms of nonfiction writing are enjoying exponential popularity in English l...
Recently, the debate on the ubiquity of fictional narrators – whether every fictional narrative has ...
Some philosophers of fiction – most famously Jerold Levinson1 - have tried to argue that fictional n...
In his defense of a version of what I have called “the ubiquity thesis”—the idea that every narrativ...
The article outlines an explication of the concept of ›mimetically unreliable narration‹ i. e. the i...
Here I address the debate concerning the (in)existence of controlling fictional narrators in film. I...
© 2019, © 2019 Informa UK Limited, trading as Taylor & Francis Group. Some of the most influential a...
According to many realist philosophers of fiction, one needs to posit an ontology of existing fictio...
In this paper, I will claim that a plausible account of fictional narration must involve a conceptua...
My chapter aims to advance the debate on a problem often raised by philosophers who are skeptical of...
Anti-cognitivism is best understood as a challenge to explain how works of fictional narrative can a...
Novels like Fight Club or American Psycho are said to be instances of unreliable narration: the firs...
Some philosophers of fiction – most famously Jerold Levinson1- have tried to argue that fictional na...
Some of the most influential accounts of the transition from the cinema of attractions to narrative ...
Subjective and personal forms of nonfiction writing are enjoying exponential popularity in English l...
Recently, the debate on the ubiquity of fictional narrators – whether every fictional narrative has ...
Some philosophers of fiction – most famously Jerold Levinson1 - have tried to argue that fictional n...
In his defense of a version of what I have called “the ubiquity thesis”—the idea that every narrativ...
The article outlines an explication of the concept of ›mimetically unreliable narration‹ i. e. the i...
Here I address the debate concerning the (in)existence of controlling fictional narrators in film. I...
© 2019, © 2019 Informa UK Limited, trading as Taylor & Francis Group. Some of the most influential a...
According to many realist philosophers of fiction, one needs to posit an ontology of existing fictio...
In this paper, I will claim that a plausible account of fictional narration must involve a conceptua...
My chapter aims to advance the debate on a problem often raised by philosophers who are skeptical of...
Anti-cognitivism is best understood as a challenge to explain how works of fictional narrative can a...
Novels like Fight Club or American Psycho are said to be instances of unreliable narration: the firs...
Some philosophers of fiction – most famously Jerold Levinson1- have tried to argue that fictional na...
Some of the most influential accounts of the transition from the cinema of attractions to narrative ...
Subjective and personal forms of nonfiction writing are enjoying exponential popularity in English l...