Much of the time most of us can tell whether, and which of, the sounds we are currently hearing are music. This is so whether or not what we are listening to is a familiar piece, a piece we have not heard before, or even music from a culture or tradition with which we are unfamiliar. In cases where we are unsure, or initially mistaken in our judgment, we will often change our opinion based on further information. This near-universal agreement suggests that the concept of music is one shared by different people, and has boundaries which we are implicitly aware of and which we make use of in judging whether something is music or not. The project of defining the term music is the attempt to make explicit the boundaries of this concept
This is the author accepted manuscript. The final version is available from Springer Verlag via the ...
Philosophers quail at the prospect of attempting to define music’s mean-ing, because the latter term...
Philosophy of music is the study of fundamental questions about the nature of music and our experien...
How can someone have the right perception of sound and its nature? We hear sounds everywhere: we hea...
Even if sound and music are deeply intertwined phenomena, it is still fiercely debated whether all m...
Unlike the other arts, music has no direct connection with the rest of the human world. True, there ...
I accept the opportunity for this encounter with music because for me it is an opportunity to advan...
Despite the serious obstacles that stand in the way of discussing such questions as what constitutes...
We argue for conceptual pluralism about music. In our view, there is no right answer to the question...
What is the distinctive character of musical experiences? An answer: musical experience is distincti...
We hear popular clichés about music telling a story or painting a picture; but musical meaning is a ...
In his essay Understanding Music, Roger Scruton has argued for a nonreductionist approach to aesth...
The claim that music is language may be oft repeated, but it remains wholly unenlightening unless a ...
Deposited with permission of the author. © 2003 Mandy StefanakisThis study investigates whether cur...
ABSTRACTIneffability of musical meaning is a frequent theme in music philosophy. However, talk about...
This is the author accepted manuscript. The final version is available from Springer Verlag via the ...
Philosophers quail at the prospect of attempting to define music’s mean-ing, because the latter term...
Philosophy of music is the study of fundamental questions about the nature of music and our experien...
How can someone have the right perception of sound and its nature? We hear sounds everywhere: we hea...
Even if sound and music are deeply intertwined phenomena, it is still fiercely debated whether all m...
Unlike the other arts, music has no direct connection with the rest of the human world. True, there ...
I accept the opportunity for this encounter with music because for me it is an opportunity to advan...
Despite the serious obstacles that stand in the way of discussing such questions as what constitutes...
We argue for conceptual pluralism about music. In our view, there is no right answer to the question...
What is the distinctive character of musical experiences? An answer: musical experience is distincti...
We hear popular clichés about music telling a story or painting a picture; but musical meaning is a ...
In his essay Understanding Music, Roger Scruton has argued for a nonreductionist approach to aesth...
The claim that music is language may be oft repeated, but it remains wholly unenlightening unless a ...
Deposited with permission of the author. © 2003 Mandy StefanakisThis study investigates whether cur...
ABSTRACTIneffability of musical meaning is a frequent theme in music philosophy. However, talk about...
This is the author accepted manuscript. The final version is available from Springer Verlag via the ...
Philosophers quail at the prospect of attempting to define music’s mean-ing, because the latter term...
Philosophy of music is the study of fundamental questions about the nature of music and our experien...