Book review of: Dolly Parton, Gender, and Country Music. Leigh H. Edwards. Bloomington: Indiana University Press, 2018, 265 pp., $21.00, 978-0-2530-3155-6 (paper)
During the 1980s, women in country music enjoyed unprecedented success in record sales, television, ...
Country music, considered a uniquely American musical genre, has been relatively under-researched co...
For some reason, the songstress, theme park owner and extraordinary wig wearer Dolly Parton is rarel...
With a career that has spanned over five decades, country music artist Dolly Parton has continually ...
This article conceptualises persona and life writing as being collectively constituted to explore m...
“There is No Such Thing as Natural Beauty”: Dolly Parton’s Cinematic Performances and Concepts of So...
This article examines how the country music styles of Dolly Parton and Johnny Cash serve as a form o...
This dissertation explores the overlooked contributions of women in country music to the study of rh...
Located in the intersection between popular musicology, popular music studies and gender studies, th...
What constitutes authenticity in country music? Artists' claims to "realness" might be based on the ...
Throughout the long 1970s, country music actively sought to cultivate a more traditional, “authent...
Throughout the long 1970s, country music actively sought to cultivate a more traditional, “authentic...
This thesis examines the complex and multi-dimensional narratives presented in the work of mainstrea...
Excerpt: Bill C. Malone, well-known author of Country Music, USA, recently(1993) wrote another book...
Historically, Classic Country music has reinforced the domestic sphere as the appropriate placement ...
During the 1980s, women in country music enjoyed unprecedented success in record sales, television, ...
Country music, considered a uniquely American musical genre, has been relatively under-researched co...
For some reason, the songstress, theme park owner and extraordinary wig wearer Dolly Parton is rarel...
With a career that has spanned over five decades, country music artist Dolly Parton has continually ...
This article conceptualises persona and life writing as being collectively constituted to explore m...
“There is No Such Thing as Natural Beauty”: Dolly Parton’s Cinematic Performances and Concepts of So...
This article examines how the country music styles of Dolly Parton and Johnny Cash serve as a form o...
This dissertation explores the overlooked contributions of women in country music to the study of rh...
Located in the intersection between popular musicology, popular music studies and gender studies, th...
What constitutes authenticity in country music? Artists' claims to "realness" might be based on the ...
Throughout the long 1970s, country music actively sought to cultivate a more traditional, “authent...
Throughout the long 1970s, country music actively sought to cultivate a more traditional, “authentic...
This thesis examines the complex and multi-dimensional narratives presented in the work of mainstrea...
Excerpt: Bill C. Malone, well-known author of Country Music, USA, recently(1993) wrote another book...
Historically, Classic Country music has reinforced the domestic sphere as the appropriate placement ...
During the 1980s, women in country music enjoyed unprecedented success in record sales, television, ...
Country music, considered a uniquely American musical genre, has been relatively under-researched co...
For some reason, the songstress, theme park owner and extraordinary wig wearer Dolly Parton is rarel...