Add to ORKGThree diverse operatic selections are discussed in light of a new approach to opera analysi
There are common themes that performers investigate in evaluating a character. They include: the his...
Operatic music is a hybrid: it is constructed neither according to purely musical nor to purely repr...
This thesis is about the opera Wozzeck by Alban Berg and how this second Viennese school composer cr...
Sole British contribution to international peer-reviewed volume originating from the interdisciplina...
Amidst discussions regarding the nature of a musical work, tensions within and between score- and pe...
In this article, Aubrey S. Garlington, Jr. explains the historical tension between the composer of t...
Defining the relationship between words and music in texted music is and has been a difficult task f...
The Orchestra in the Theatre – Composers, Works, and Performance is part two of the publication The ...
After a long gap in their reception history, Claudio Monteverdi’s operas have since the early twent...
A comprehensive survey of approaches to the analysis of music written for opera, together with detai...
The present paper forms part of a complex research project based on a closed-reading approach I am c...
How an operatic work is produced on the stage provides a crucial element in our understanding and as...
This appraisal presents various musico-dramatic works through the elucidation of source impulse and...
Opera, perhaps fittingly described as an eclectic compilation of philosophy and Greek theater, emerg...
Abstract for a paper given at a joint meeting of the American Institute for Verdi Studies and the Gr...
There are common themes that performers investigate in evaluating a character. They include: the his...
Operatic music is a hybrid: it is constructed neither according to purely musical nor to purely repr...
This thesis is about the opera Wozzeck by Alban Berg and how this second Viennese school composer cr...
Sole British contribution to international peer-reviewed volume originating from the interdisciplina...
Amidst discussions regarding the nature of a musical work, tensions within and between score- and pe...
In this article, Aubrey S. Garlington, Jr. explains the historical tension between the composer of t...
Defining the relationship between words and music in texted music is and has been a difficult task f...
The Orchestra in the Theatre – Composers, Works, and Performance is part two of the publication The ...
After a long gap in their reception history, Claudio Monteverdi’s operas have since the early twent...
A comprehensive survey of approaches to the analysis of music written for opera, together with detai...
The present paper forms part of a complex research project based on a closed-reading approach I am c...
How an operatic work is produced on the stage provides a crucial element in our understanding and as...
This appraisal presents various musico-dramatic works through the elucidation of source impulse and...
Opera, perhaps fittingly described as an eclectic compilation of philosophy and Greek theater, emerg...
Abstract for a paper given at a joint meeting of the American Institute for Verdi Studies and the Gr...
There are common themes that performers investigate in evaluating a character. They include: the his...
Operatic music is a hybrid: it is constructed neither according to purely musical nor to purely repr...
This thesis is about the opera Wozzeck by Alban Berg and how this second Viennese school composer cr...