Add to ORKGThis is Maddie Gwinn\u27s submission for the 2019 Kevin and Tam Ross Undergraduate Research Prize, which won first place. It contains her essay on using library resources, a three-page sample of her research project on how the Czech New Wave and New Hollywood cinema are defined by their agency in preserving and prescribing cultural meaning across their societies while being bound to their economic systems, and her works cited list. Maddie is a senior at Chapman University, majoring in Film Production. Her faculty mentor is Dr. Carmichael Peters
Thesis (Ph. D.)--University of Rochester. Department of English, 2019.Projecting Fandom: Authorship,...
This is a review of “Un-American” Hollywood: Politics and Film in the Blacklist Era, a 2007 volume e...
In her article Methodological Reflections on Investigating the Reception of Fiction in Public Space...
A case study of the Czechoslovak New Wave and New Hollywood compares the functioning of cinematic mo...
This is Philip Goodrich\u27s submission for the 2022 Kevin and Tam Ross Undergraduate Research Prize...
This is Kirsten Moore\u27s submission essay, annotated bibliography, and annotated wishlist for the ...
Oppression by censorship affects the film industry far more frequently than any other mass media. In...
I return to Siegfried Kracauer’s questions regarding cinema’s capacity to illuminate the state of ou...
Let the appearance of jargon in this book’s title deter no one: Cinematicity in Media History is an ...
By analyzing the complicated production of the sexually-provocative The Moon is Blue in the early 19...
Kirmser Undergraduate Research Award - Individual Freshman category, grand prizeCitation: Winkler, S...
This thesis had two goals: to explore the transformation of Hollywood from the 1930s to present, and...
Developing Heide Schlüpmann’s 2013 article, “An Alliance Between History and Theory”, we argue that ...
An outline of the pre-production, production, and post-production of a five-minute comedic short on ...
An introduction to a themed section of the journal edited by myself, Kate Egan and Jamie Terrill
Thesis (Ph. D.)--University of Rochester. Department of English, 2019.Projecting Fandom: Authorship,...
This is a review of “Un-American” Hollywood: Politics and Film in the Blacklist Era, a 2007 volume e...
In her article Methodological Reflections on Investigating the Reception of Fiction in Public Space...
A case study of the Czechoslovak New Wave and New Hollywood compares the functioning of cinematic mo...
This is Philip Goodrich\u27s submission for the 2022 Kevin and Tam Ross Undergraduate Research Prize...
This is Kirsten Moore\u27s submission essay, annotated bibliography, and annotated wishlist for the ...
Oppression by censorship affects the film industry far more frequently than any other mass media. In...
I return to Siegfried Kracauer’s questions regarding cinema’s capacity to illuminate the state of ou...
Let the appearance of jargon in this book’s title deter no one: Cinematicity in Media History is an ...
By analyzing the complicated production of the sexually-provocative The Moon is Blue in the early 19...
Kirmser Undergraduate Research Award - Individual Freshman category, grand prizeCitation: Winkler, S...
This thesis had two goals: to explore the transformation of Hollywood from the 1930s to present, and...
Developing Heide Schlüpmann’s 2013 article, “An Alliance Between History and Theory”, we argue that ...
An outline of the pre-production, production, and post-production of a five-minute comedic short on ...
An introduction to a themed section of the journal edited by myself, Kate Egan and Jamie Terrill
Thesis (Ph. D.)--University of Rochester. Department of English, 2019.Projecting Fandom: Authorship,...
This is a review of “Un-American” Hollywood: Politics and Film in the Blacklist Era, a 2007 volume e...
In her article Methodological Reflections on Investigating the Reception of Fiction in Public Space...