THE STUDY OF THE FUNCTION OF GEOMETRIC FORM AND LINE IN FREER PAINTING THROUGH CONTRAST OF THESE TWO ELEMENTS

The Spatial Development of Painting and Its Relationship to Color, Line & Form

Miller, Jason J.

April 2021

My proposal for the Undergraduate Research Conference is a presentation on the development of my art...

A DISCUSSION OF BALANCE IN THREE ORIGINAL ABSTRACT PAINTINGS OF THE STILL-LIFE

January 1969

Source: Masters Abstracts International, Volume: 07-04, page: 1700.Thesis (M.F.A.)--American Univers...

STILL LIFE AS AN EXPRESSIVE IMAGE IN PAINTING

January 1973

Source: Masters Abstracts International, Volume: 12-02, page: 1180.Thesis (M.F.A.)--American Univers...

ASPECTS OF LIGHT AND PROBLEM-SOLVING IN PAINTING

January 1971

Source: Masters Abstracts International, Volume: 09-03, page: 1300.Thesis (M.F.A.)--American Univers...

A VISUAL THEORY OF PAINTING

January 1968

Source: Masters Abstracts International, Volume: 07-01, page: 1800.Thesis (M.A.)--American Universit...

THE IMPORTANCE OF STRUCTURE IN PAINTING

January 1974

Source: Masters Abstracts International, Volume: 12-03, page: 2510.Thesis (M.F.A.)--American Univers...

CONCENTRATED FOCUS IN PAINTING

January 1973

Source: Masters Abstracts International, Volume: 12-02, page: 1180.Thesis (M.F.A.)--American Univers...

THE SQUARE UNIT IN PAINTING

January 1969

Source: Masters Abstracts International, Volume: 07-04, page: 1700.Thesis (M.F.A.)--American Univers...

NATURAL SHAPES IN NONOBJECTIVE PAINTING

January 1971

Source: Masters Abstracts International, Volume: 09-03, page: 1290.Thesis (M.F.A.)--American Univers...

Contrasts of Form : Geometric Abstract Art, 1910-1980

January 1985

This leaflet addresses chronologically the question of geometric abstraction in painting since Malev...

EXPERIMENTATION WITH TENSION AND MOVEMENT IN STILL LIFE PAINTING

January 1970

Source: Masters Abstracts International, Volume: 09-01, page: 1800.Thesis (M.F.A.)--American Univers...

PROGRESSION FROM A LINEAR VOCABULARY TOWARD THE EXPRESSIVE USE OF OPEN FORMS IN A SERIES OF FIGURE PAINTINGS

January 1969

Source: Masters Abstracts International, Volume: 07-04, page: 1700.Thesis (M.A.)--American Universit...

LIGHT AS A SOURCE OF STRUCTURAL UNITY IN PAINTING

January 1963

Source: Masters Abstracts International, Volume: 01-04, page: 1000.Thesis (M.A.)--American Universit...

AN INVESTIGATION OF LINE AND PLANE RELATIONSHIPS IN TWO CONCEPTS OF PAINTING APPROVED § ^ y

October 2016

The problem of this investigation is the combining of the spatial concepts of Paul Cezanne and the A...

Composition and movement in abstract and figurative painting

Dexter, Kris

July 1974

The artist\u27s early work was executed rapidly with heavily defined charcoal lines. At that time, s...

The Spatial Development of Painting and Its Relationship to Color, Line & Form

Miller, Jason J.

April 2021

My proposal for the Undergraduate Research Conference is a presentation on the development of my art...

A DISCUSSION OF BALANCE IN THREE ORIGINAL ABSTRACT PAINTINGS OF THE STILL-LIFE

January 1969

Source: Masters Abstracts International, Volume: 07-04, page: 1700.Thesis (M.F.A.)--American Univers...

STILL LIFE AS AN EXPRESSIVE IMAGE IN PAINTING

January 1973

Source: Masters Abstracts International, Volume: 12-02, page: 1180.Thesis (M.F.A.)--American Univers...

ASPECTS OF LIGHT AND PROBLEM-SOLVING IN PAINTING

January 1971

Source: Masters Abstracts International, Volume: 09-03, page: 1300.Thesis (M.F.A.)--American Univers...

A VISUAL THEORY OF PAINTING

January 1968

Source: Masters Abstracts International, Volume: 07-01, page: 1800.Thesis (M.A.)--American Universit...

THE IMPORTANCE OF STRUCTURE IN PAINTING

January 1974

Source: Masters Abstracts International, Volume: 12-03, page: 2510.Thesis (M.F.A.)--American Univers...

CONCENTRATED FOCUS IN PAINTING

January 1973

Source: Masters Abstracts International, Volume: 12-02, page: 1180.Thesis (M.F.A.)--American Univers...

THE SQUARE UNIT IN PAINTING

January 1969

Source: Masters Abstracts International, Volume: 07-04, page: 1700.Thesis (M.F.A.)--American Univers...

NATURAL SHAPES IN NONOBJECTIVE PAINTING

January 1971

Source: Masters Abstracts International, Volume: 09-03, page: 1290.Thesis (M.F.A.)--American Univers...

Contrasts of Form : Geometric Abstract Art, 1910-1980

January 1985

This leaflet addresses chronologically the question of geometric abstraction in painting since Malev...

EXPERIMENTATION WITH TENSION AND MOVEMENT IN STILL LIFE PAINTING

January 1970

Source: Masters Abstracts International, Volume: 09-01, page: 1800.Thesis (M.F.A.)--American Univers...

PROGRESSION FROM A LINEAR VOCABULARY TOWARD THE EXPRESSIVE USE OF OPEN FORMS IN A SERIES OF FIGURE PAINTINGS

January 1969

Source: Masters Abstracts International, Volume: 07-04, page: 1700.Thesis (M.A.)--American Universit...

LIGHT AS A SOURCE OF STRUCTURAL UNITY IN PAINTING

January 1963

Source: Masters Abstracts International, Volume: 01-04, page: 1000.Thesis (M.A.)--American Universit...

AN INVESTIGATION OF LINE AND PLANE RELATIONSHIPS IN TWO CONCEPTS OF PAINTING APPROVED § ^ y

October 2016

The problem of this investigation is the combining of the spatial concepts of Paul Cezanne and the A...

Composition and movement in abstract and figurative painting

Dexter, Kris

July 1974

The artist\u27s early work was executed rapidly with heavily defined charcoal lines. At that time, s...

The Spatial Development of Painting and Its Relationship to Color, Line & Form

Miller, Jason J.

April 2021

My proposal for the Undergraduate Research Conference is a presentation on the development of my art...

A DISCUSSION OF BALANCE IN THREE ORIGINAL ABSTRACT PAINTINGS OF THE STILL-LIFE

January 1969

Source: Masters Abstracts International, Volume: 07-04, page: 1700.Thesis (M.F.A.)--American Univers...

STILL LIFE AS AN EXPRESSIVE IMAGE IN PAINTING

January 1973

Source: Masters Abstracts International, Volume: 12-02, page: 1180.Thesis (M.F.A.)--American Univers...

THE STUDY OF THE FUNCTION OF GEOMETRIC FORM AND LINE IN FREER PAINTING THROUGH CONTRAST OF THESE TWO ELEMENTS

Abstract

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THE STUDY OF THE FUNCTION OF GEOMETRIC FORM AND LINE IN FREER PAINTING THROUGH CONTRAST OF THESE TWO ELEMENTS

Abstract

Extracted data

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