Add to ORKGHolly Andres’s first solo exhibition at this gallery features fifteen large LightJet prints distinguished by their luscious palette and meticulous mise-en-scènes
Surrounded by a crown of enormous mountains, and boasting the dictum “This is the place,” Salt Lake ...
Presented as a complement to “WACK!” at MoCA, “Multiple Vantage Points” presents work created betwee...
Painter Amy Bird’s first solo exhibition in Los Angeles features three bodies of work, each influenc...
The forty gelatin silver and platinum palladium prints by Manuel Alvarez Bravo in this exhibition, s...
This article focuses on Elisabeth Higgins O’Connor’s debut solo show in Los Angeles
In The Bonkers Devotional, 2010, Hilja Keading presents a four-channel video installation that deftl...
This article focuses on how Max Jansons and Elizabeth Tremante engage in old-school, professional, f...
Dan Bayles’s debut solo show features nine mixed-media paintings based on computer renderings that w...
The thirteen monochromatic paintings in Michael Dopp’s first solo exhibition, “Dilate,” form an inte...
This article focuses on Erin Cosgrove and her animation What Manner of Person Art Thou
Stanya Kahn’s first solo exhibition features three thirty- to forty-minute videos that smack of YouT...
This article focuses on Tom LaDuke’s exhibition of paintings and sculptures that is described as tho...
This article focuses on Los Angeles–based artist Marnie Weber’s and her collages and sculptures that...
In Rachel Khedoori’s first solo exhibition in Los Angeles, the iconic installation Iraq Book Project...
Richard Turner’s multimedia installation Contempt Mandala, 1999–2008, offers a psychogeographic jour...
Surrounded by a crown of enormous mountains, and boasting the dictum “This is the place,” Salt Lake ...
Presented as a complement to “WACK!” at MoCA, “Multiple Vantage Points” presents work created betwee...
Painter Amy Bird’s first solo exhibition in Los Angeles features three bodies of work, each influenc...
The forty gelatin silver and platinum palladium prints by Manuel Alvarez Bravo in this exhibition, s...
This article focuses on Elisabeth Higgins O’Connor’s debut solo show in Los Angeles
In The Bonkers Devotional, 2010, Hilja Keading presents a four-channel video installation that deftl...
This article focuses on how Max Jansons and Elizabeth Tremante engage in old-school, professional, f...
Dan Bayles’s debut solo show features nine mixed-media paintings based on computer renderings that w...
The thirteen monochromatic paintings in Michael Dopp’s first solo exhibition, “Dilate,” form an inte...
This article focuses on Erin Cosgrove and her animation What Manner of Person Art Thou
Stanya Kahn’s first solo exhibition features three thirty- to forty-minute videos that smack of YouT...
This article focuses on Tom LaDuke’s exhibition of paintings and sculptures that is described as tho...
This article focuses on Los Angeles–based artist Marnie Weber’s and her collages and sculptures that...
In Rachel Khedoori’s first solo exhibition in Los Angeles, the iconic installation Iraq Book Project...
Richard Turner’s multimedia installation Contempt Mandala, 1999–2008, offers a psychogeographic jour...
Surrounded by a crown of enormous mountains, and boasting the dictum “This is the place,” Salt Lake ...
Presented as a complement to “WACK!” at MoCA, “Multiple Vantage Points” presents work created betwee...
Painter Amy Bird’s first solo exhibition in Los Angeles features three bodies of work, each influenc...