Add to ORKGThe thirteen monochromatic paintings in Michael Dopp’s first solo exhibition, “Dilate,” form an intelligent and poetic meditation on archetypal dialogues of abstraction, with a self-conscious playfulness that inserts elements of language and corporeality within retinal formalism
This article focuses on Erin Cosgrove and her animation What Manner of Person Art Thou
The sharp curve of the artist’s fingernail separating neck from hair, the faint ripples of his thumb...
Presented as a complement to “WACK!” at MoCA, “Multiple Vantage Points” presents work created betwee...
In The Bonkers Devotional, 2010, Hilja Keading presents a four-channel video installation that deftl...
The forty gelatin silver and platinum palladium prints by Manuel Alvarez Bravo in this exhibition, s...
Holly Andres’s first solo exhibition at this gallery features fifteen large LightJet prints distingu...
Dan Bayles’s debut solo show features nine mixed-media paintings based on computer renderings that w...
This article focuses on Tom LaDuke’s exhibition of paintings and sculptures that is described as tho...
This article focuses on Elisabeth Higgins O’Connor’s debut solo show in Los Angeles
Richard Turner’s multimedia installation Contempt Mandala, 1999–2008, offers a psychogeographic jour...
Stanya Kahn’s first solo exhibition features three thirty- to forty-minute videos that smack of YouT...
This article focuses on how Max Jansons and Elizabeth Tremante engage in old-school, professional, f...
In Rachel Khedoori’s first solo exhibition in Los Angeles, the iconic installation Iraq Book Project...
Surrounded by a crown of enormous mountains, and boasting the dictum “This is the place,” Salt Lake ...
This article focuses on Los Angeles–based artist Marnie Weber’s and her collages and sculptures that...
This article focuses on Erin Cosgrove and her animation What Manner of Person Art Thou
The sharp curve of the artist’s fingernail separating neck from hair, the faint ripples of his thumb...
Presented as a complement to “WACK!” at MoCA, “Multiple Vantage Points” presents work created betwee...
In The Bonkers Devotional, 2010, Hilja Keading presents a four-channel video installation that deftl...
The forty gelatin silver and platinum palladium prints by Manuel Alvarez Bravo in this exhibition, s...
Holly Andres’s first solo exhibition at this gallery features fifteen large LightJet prints distingu...
Dan Bayles’s debut solo show features nine mixed-media paintings based on computer renderings that w...
This article focuses on Tom LaDuke’s exhibition of paintings and sculptures that is described as tho...
This article focuses on Elisabeth Higgins O’Connor’s debut solo show in Los Angeles
Richard Turner’s multimedia installation Contempt Mandala, 1999–2008, offers a psychogeographic jour...
Stanya Kahn’s first solo exhibition features three thirty- to forty-minute videos that smack of YouT...
This article focuses on how Max Jansons and Elizabeth Tremante engage in old-school, professional, f...
In Rachel Khedoori’s first solo exhibition in Los Angeles, the iconic installation Iraq Book Project...
Surrounded by a crown of enormous mountains, and boasting the dictum “This is the place,” Salt Lake ...
This article focuses on Los Angeles–based artist Marnie Weber’s and her collages and sculptures that...
This article focuses on Erin Cosgrove and her animation What Manner of Person Art Thou
The sharp curve of the artist’s fingernail separating neck from hair, the faint ripples of his thumb...
Presented as a complement to “WACK!” at MoCA, “Multiple Vantage Points” presents work created betwee...