Add to ORKGDan Bayles’s debut solo show features nine mixed-media paintings based on computer renderings that were leaked onto the Internet last year
Richard Turner’s multimedia installation Contempt Mandala, 1999–2008, offers a psychogeographic jour...
Presented as a complement to “WACK!” at MoCA, “Multiple Vantage Points” presents work created betwee...
This is a column written by Micol Hebron in which she allows artists to submit a photograph and writ...
The forty gelatin silver and platinum palladium prints by Manuel Alvarez Bravo in this exhibition, s...
Holly Andres’s first solo exhibition at this gallery features fifteen large LightJet prints distingu...
In The Bonkers Devotional, 2010, Hilja Keading presents a four-channel video installation that deftl...
This article focuses on Elisabeth Higgins O’Connor’s debut solo show in Los Angeles
This article focuses on Tom LaDuke’s exhibition of paintings and sculptures that is described as tho...
This article focuses on how Max Jansons and Elizabeth Tremante engage in old-school, professional, f...
Stanya Kahn’s first solo exhibition features three thirty- to forty-minute videos that smack of YouT...
The thirteen monochromatic paintings in Michael Dopp’s first solo exhibition, “Dilate,” form an inte...
This article focuses on Erin Cosgrove and her animation What Manner of Person Art Thou
This article focuses on Los Angeles–based artist Marnie Weber’s and her collages and sculptures that...
In Rachel Khedoori’s first solo exhibition in Los Angeles, the iconic installation Iraq Book Project...
Surrounded by a crown of enormous mountains, and boasting the dictum “This is the place,” Salt Lake ...
Richard Turner’s multimedia installation Contempt Mandala, 1999–2008, offers a psychogeographic jour...
Presented as a complement to “WACK!” at MoCA, “Multiple Vantage Points” presents work created betwee...
This is a column written by Micol Hebron in which she allows artists to submit a photograph and writ...
The forty gelatin silver and platinum palladium prints by Manuel Alvarez Bravo in this exhibition, s...
Holly Andres’s first solo exhibition at this gallery features fifteen large LightJet prints distingu...
In The Bonkers Devotional, 2010, Hilja Keading presents a four-channel video installation that deftl...
This article focuses on Elisabeth Higgins O’Connor’s debut solo show in Los Angeles
This article focuses on Tom LaDuke’s exhibition of paintings and sculptures that is described as tho...
This article focuses on how Max Jansons and Elizabeth Tremante engage in old-school, professional, f...
Stanya Kahn’s first solo exhibition features three thirty- to forty-minute videos that smack of YouT...
The thirteen monochromatic paintings in Michael Dopp’s first solo exhibition, “Dilate,” form an inte...
This article focuses on Erin Cosgrove and her animation What Manner of Person Art Thou
This article focuses on Los Angeles–based artist Marnie Weber’s and her collages and sculptures that...
In Rachel Khedoori’s first solo exhibition in Los Angeles, the iconic installation Iraq Book Project...
Surrounded by a crown of enormous mountains, and boasting the dictum “This is the place,” Salt Lake ...
Richard Turner’s multimedia installation Contempt Mandala, 1999–2008, offers a psychogeographic jour...
Presented as a complement to “WACK!” at MoCA, “Multiple Vantage Points” presents work created betwee...
This is a column written by Micol Hebron in which she allows artists to submit a photograph and writ...