Add to ORKGIn Rachel Khedoori’s first solo exhibition in Los Angeles, the iconic installation Iraq Book Project (all works 2009) explores what we know and record about the Iraq war, which is now in its seventh year and counting
Richard Turner’s multimedia installation Contempt Mandala, 1999–2008, offers a psychogeographic jour...
The sharp curve of the artist’s fingernail separating neck from hair, the faint ripples of his thumb...
Presented as a complement to “WACK!” at MoCA, “Multiple Vantage Points” presents work created betwee...
In The Bonkers Devotional, 2010, Hilja Keading presents a four-channel video installation that deftl...
The forty gelatin silver and platinum palladium prints by Manuel Alvarez Bravo in this exhibition, s...
This article focuses on Elisabeth Higgins O’Connor’s debut solo show in Los Angeles
Holly Andres’s first solo exhibition at this gallery features fifteen large LightJet prints distingu...
This article focuses on Los Angeles–based artist Marnie Weber’s and her collages and sculptures that...
The thirteen monochromatic paintings in Michael Dopp’s first solo exhibition, “Dilate,” form an inte...
Dan Bayles’s debut solo show features nine mixed-media paintings based on computer renderings that w...
This article focuses on how Max Jansons and Elizabeth Tremante engage in old-school, professional, f...
Stanya Kahn’s first solo exhibition features three thirty- to forty-minute videos that smack of YouT...
This article focuses on Erin Cosgrove and her animation What Manner of Person Art Thou
This article focuses on Tom LaDuke’s exhibition of paintings and sculptures that is described as tho...
Surrounded by a crown of enormous mountains, and boasting the dictum “This is the place,” Salt Lake ...
Richard Turner’s multimedia installation Contempt Mandala, 1999–2008, offers a psychogeographic jour...
The sharp curve of the artist’s fingernail separating neck from hair, the faint ripples of his thumb...
Presented as a complement to “WACK!” at MoCA, “Multiple Vantage Points” presents work created betwee...
In The Bonkers Devotional, 2010, Hilja Keading presents a four-channel video installation that deftl...
The forty gelatin silver and platinum palladium prints by Manuel Alvarez Bravo in this exhibition, s...
This article focuses on Elisabeth Higgins O’Connor’s debut solo show in Los Angeles
Holly Andres’s first solo exhibition at this gallery features fifteen large LightJet prints distingu...
This article focuses on Los Angeles–based artist Marnie Weber’s and her collages and sculptures that...
The thirteen monochromatic paintings in Michael Dopp’s first solo exhibition, “Dilate,” form an inte...
Dan Bayles’s debut solo show features nine mixed-media paintings based on computer renderings that w...
This article focuses on how Max Jansons and Elizabeth Tremante engage in old-school, professional, f...
Stanya Kahn’s first solo exhibition features three thirty- to forty-minute videos that smack of YouT...
This article focuses on Erin Cosgrove and her animation What Manner of Person Art Thou
This article focuses on Tom LaDuke’s exhibition of paintings and sculptures that is described as tho...
Surrounded by a crown of enormous mountains, and boasting the dictum “This is the place,” Salt Lake ...
Richard Turner’s multimedia installation Contempt Mandala, 1999–2008, offers a psychogeographic jour...
The sharp curve of the artist’s fingernail separating neck from hair, the faint ripples of his thumb...
Presented as a complement to “WACK!” at MoCA, “Multiple Vantage Points” presents work created betwee...