Richard Turner’s multimedia installation Contempt Mandala, 1999–2008, offers a psychogeographic journey through a proposed collision between the characters and architecture of Jean-Luc Godard’s 1963 film Contempt and the locales and structures that linger in the artist’s memory of his youth in India and Vietnam
Surrounded by a crown of enormous mountains, and boasting the dictum “This is the place,” Salt Lake ...
The sharp curve of the artist’s fingernail separating neck from hair, the faint ripples of his thumb...
Summer group shows tend to function a bit like curatorial Muzak for the art world. Drama of the Gift...
In The Bonkers Devotional, 2010, Hilja Keading presents a four-channel video installation that deftl...
The forty gelatin silver and platinum palladium prints by Manuel Alvarez Bravo in this exhibition, s...
The thirteen monochromatic paintings in Michael Dopp’s first solo exhibition, “Dilate,” form an inte...
Holly Andres’s first solo exhibition at this gallery features fifteen large LightJet prints distingu...
This article focuses on Elisabeth Higgins O’Connor’s debut solo show in Los Angeles
This article focuses on how Max Jansons and Elizabeth Tremante engage in old-school, professional, f...
This article focuses on Los Angeles–based artist Marnie Weber’s and her collages and sculptures that...
Stanya Kahn’s first solo exhibition features three thirty- to forty-minute videos that smack of YouT...
This article focuses on Tom LaDuke’s exhibition of paintings and sculptures that is described as tho...
Dan Bayles’s debut solo show features nine mixed-media paintings based on computer renderings that w...
This article focuses on Erin Cosgrove and her animation What Manner of Person Art Thou
In Rachel Khedoori’s first solo exhibition in Los Angeles, the iconic installation Iraq Book Project...
Surrounded by a crown of enormous mountains, and boasting the dictum “This is the place,” Salt Lake ...
The sharp curve of the artist’s fingernail separating neck from hair, the faint ripples of his thumb...
Summer group shows tend to function a bit like curatorial Muzak for the art world. Drama of the Gift...
In The Bonkers Devotional, 2010, Hilja Keading presents a four-channel video installation that deftl...
The forty gelatin silver and platinum palladium prints by Manuel Alvarez Bravo in this exhibition, s...
The thirteen monochromatic paintings in Michael Dopp’s first solo exhibition, “Dilate,” form an inte...
Holly Andres’s first solo exhibition at this gallery features fifteen large LightJet prints distingu...
This article focuses on Elisabeth Higgins O’Connor’s debut solo show in Los Angeles
This article focuses on how Max Jansons and Elizabeth Tremante engage in old-school, professional, f...
This article focuses on Los Angeles–based artist Marnie Weber’s and her collages and sculptures that...
Stanya Kahn’s first solo exhibition features three thirty- to forty-minute videos that smack of YouT...
This article focuses on Tom LaDuke’s exhibition of paintings and sculptures that is described as tho...
Dan Bayles’s debut solo show features nine mixed-media paintings based on computer renderings that w...
This article focuses on Erin Cosgrove and her animation What Manner of Person Art Thou
In Rachel Khedoori’s first solo exhibition in Los Angeles, the iconic installation Iraq Book Project...
Surrounded by a crown of enormous mountains, and boasting the dictum “This is the place,” Salt Lake ...
The sharp curve of the artist’s fingernail separating neck from hair, the faint ripples of his thumb...
Summer group shows tend to function a bit like curatorial Muzak for the art world. Drama of the Gift...