Add to ORKGDreiss sketches the early career of the sculptor Harriet Whitney Frishmuth, and shows how her best work was influenced by New York dance-especially by a certain lighthearted dancer
The Evolution of Aesthetic and Expressive Dance in Boston provides a regional history of the physica...
IVAN MESTROVIC \u27s eight and a half years as a member of the Syracuse University faculty stand as ...
This is a creative writing: nonfiction thesis investigating how the Scripps College Dance Department...
Dreiss sketches the early career of the sculptor Harriet Whitney Frishmuth, and shows how her best w...
In 1964 Harriet Frishmuth graciously presented her papers to Syracuse University for perpetual care,...
Tatham discusses four great teachers of fine arts at Syracuse University George Fisk Comfort, Irene ...
Gullason corrects long-accepted notions about the brief career of Stephen Crane as a Syracuse Univer...
Post-Standard Award Citation for ArthurJ. Pulos Recent Acquisitions: The William Safire Collection T...
Mulvihill tells the story of the Student Dean Program: how it started, what it was all about, and ho...
The Syracuse University Professoriate, 1870-1960: Four Grand Masters in the Arts / David Tatham, p. ...
Vanouse explains how a critical appreciation of two Stephen Crane first editions, which exemplify a ...
A clipping from a newspaper discussing the sculptures being made at FHSU.https://scholars.fhsu.edu/b...
Doris Humphrey's contribution to modernism, illustrated with images by seminal dance photographer, B...
“Harriet Hosmer (1830–1908): Fame, Photography, and the American ‘Sculptress’” is a case study inspi...
McDonald describes the circumstances in the lives of Erskine Caldwell and Margaret Bourke-White that...
The Evolution of Aesthetic and Expressive Dance in Boston provides a regional history of the physica...
IVAN MESTROVIC \u27s eight and a half years as a member of the Syracuse University faculty stand as ...
This is a creative writing: nonfiction thesis investigating how the Scripps College Dance Department...
Dreiss sketches the early career of the sculptor Harriet Whitney Frishmuth, and shows how her best w...
In 1964 Harriet Frishmuth graciously presented her papers to Syracuse University for perpetual care,...
Tatham discusses four great teachers of fine arts at Syracuse University George Fisk Comfort, Irene ...
Gullason corrects long-accepted notions about the brief career of Stephen Crane as a Syracuse Univer...
Post-Standard Award Citation for ArthurJ. Pulos Recent Acquisitions: The William Safire Collection T...
Mulvihill tells the story of the Student Dean Program: how it started, what it was all about, and ho...
The Syracuse University Professoriate, 1870-1960: Four Grand Masters in the Arts / David Tatham, p. ...
Vanouse explains how a critical appreciation of two Stephen Crane first editions, which exemplify a ...
A clipping from a newspaper discussing the sculptures being made at FHSU.https://scholars.fhsu.edu/b...
Doris Humphrey's contribution to modernism, illustrated with images by seminal dance photographer, B...
“Harriet Hosmer (1830–1908): Fame, Photography, and the American ‘Sculptress’” is a case study inspi...
McDonald describes the circumstances in the lives of Erskine Caldwell and Margaret Bourke-White that...
The Evolution of Aesthetic and Expressive Dance in Boston provides a regional history of the physica...
IVAN MESTROVIC \u27s eight and a half years as a member of the Syracuse University faculty stand as ...
This is a creative writing: nonfiction thesis investigating how the Scripps College Dance Department...