In this thesis I enter the medical poetry conversation, specifically focusing on scars, mortality and the doctor-patient relationship. I argue that the body standards society sets for women complicate how women wear scars; people read scars as imperfections on the female form. Because scars are visible markers on the body, they speak for themselves; I, therefore, encourage poets to write their own truth on their scars, to (re)write their meaning. In the mortality chapter, I argue that the isolation of death and burial and the dominant belief in the finality of death increases modern fear of death. This makes patients feel especially isolated when facing death. In the doctor-patient relationship chapter, I argue that the power structure betw...