Add to ORKGThe Challenges of Opera Direction is an investigation of the art of the opera stage director. In addition to a brief history of opera, the investigation includes opinions of leading international directors. Furthermore it details directing techniques and examples gleaned from the direction of Mozart\u27s The Impresario (Der Shauspieldirektor) and Donizetti\u27s The Elixir of Love (L\u27elisir d\u27amore) both at UNLV and an assistant directing internship with Seattle Opera\u27s production of Delibes\u27s Lakme. Also included are chapters on the art of collaborating with conductors, designers and performers
This is a 1914 thesis by Charlotte Anderson entitled, "The Development of the Opera"
As a Voice/Opera Performance major, I decided to take my love of opera and performance and familiari...
peer reviewedThis contribution discusses Dario Fo’s opera stage-direction practice, by analysing his...
As my undergraduate education in opera stage direction comes to a close, I have designed my own fina...
This work is intended primarily for young opera directors and students of opera directing. It?s divi...
Opera has long been the dominion of singers, composers, and conductors. Opera scholarship has been ...
Opera stage director education has been exclusive, elitist and unavailable to many Americans who hav...
grantor: University of TorontoJean-Pierre Ponnelle (1932-1988) has been internationally ac...
Maģistra darbs „Jāņa Zariņa režija Latvijas PSR Operas un baleta teātrī (1963-1973)” veltīts izcilā ...
This document discusses the most important roles within any operatic production, how these roles are...
Stage directors of opera are employing new technologies and dramatic conceptions in their efforts to...
Celem niniejszej pracy jest przedstawienie roli dyrygenta w procesie zarządzania orkiestrą operową n...
In this dissertation, challenges and limitations related to presenting Così fan tutte within a small...
AbstractFor the integral formation of the human being, attention to aesthetic education presents a v...
grantor: University of TorontoThe purpose of this thesis is to determine the status of th...
This is a 1914 thesis by Charlotte Anderson entitled, "The Development of the Opera"
As a Voice/Opera Performance major, I decided to take my love of opera and performance and familiari...
peer reviewedThis contribution discusses Dario Fo’s opera stage-direction practice, by analysing his...
As my undergraduate education in opera stage direction comes to a close, I have designed my own fina...
This work is intended primarily for young opera directors and students of opera directing. It?s divi...
Opera has long been the dominion of singers, composers, and conductors. Opera scholarship has been ...
Opera stage director education has been exclusive, elitist and unavailable to many Americans who hav...
grantor: University of TorontoJean-Pierre Ponnelle (1932-1988) has been internationally ac...
Maģistra darbs „Jāņa Zariņa režija Latvijas PSR Operas un baleta teātrī (1963-1973)” veltīts izcilā ...
This document discusses the most important roles within any operatic production, how these roles are...
Stage directors of opera are employing new technologies and dramatic conceptions in their efforts to...
Celem niniejszej pracy jest przedstawienie roli dyrygenta w procesie zarządzania orkiestrą operową n...
In this dissertation, challenges and limitations related to presenting Così fan tutte within a small...
AbstractFor the integral formation of the human being, attention to aesthetic education presents a v...
grantor: University of TorontoThe purpose of this thesis is to determine the status of th...
This is a 1914 thesis by Charlotte Anderson entitled, "The Development of the Opera"
As a Voice/Opera Performance major, I decided to take my love of opera and performance and familiari...
peer reviewedThis contribution discusses Dario Fo’s opera stage-direction practice, by analysing his...