Add to ORKGZed Alexander Hopkins ‘20 submitted this paper in Fall 2016 for Professor James Taylor’s ID1 course, Our Troubled World Imagined: Theatre and the Environment. It is one of the three papers that received honorable mention from that semester
An in-depth analysis of the preparatory work and process of the production of Festen by David Eldrid...
In this article, Loughnane uses two key lines from the opening scene of Webster’s The Duchess of Mal...
This essay discusses the balance between theatricality and antitheatricalityin Faith Healer, by Bria...
Zed Alexander Hopkins ‘20 submitted this paper in Fall 2016 for Professor James Taylor’s ID1 course,...
Deconstructing, refocusing and reframing the postdramatic experience is an investigation of connecti...
In extracting the textual basis from which these effects are derived, an examination of the literary...
Stage directions that defy singular interpretation and do not, in fact, direct staging have been und...
This essay is in part a "psychological" analysis and in part an experimentation on applying media st...
This practice-based thesis asks, "In what unique ways can contemporary performance address our preoc...
This thesis examines the way dramaturgical techniques in Shakespeare's late plays are used to create...
503 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1993.This study examines the witti...
Although a great deal has been written about stage objects as literary symbols, very little attentio...
This Senior Independent Study explores questions of human-driven catastrophe and how it is represent...
In his recent monograph, Marvin Carlson develops the premise first established in The Haunted Stage:...
This article analyzes the shift from emotion to affect in Caryl Churchill’s writing for the theatre,...
An in-depth analysis of the preparatory work and process of the production of Festen by David Eldrid...
In this article, Loughnane uses two key lines from the opening scene of Webster’s The Duchess of Mal...
This essay discusses the balance between theatricality and antitheatricalityin Faith Healer, by Bria...
Zed Alexander Hopkins ‘20 submitted this paper in Fall 2016 for Professor James Taylor’s ID1 course,...
Deconstructing, refocusing and reframing the postdramatic experience is an investigation of connecti...
In extracting the textual basis from which these effects are derived, an examination of the literary...
Stage directions that defy singular interpretation and do not, in fact, direct staging have been und...
This essay is in part a "psychological" analysis and in part an experimentation on applying media st...
This practice-based thesis asks, "In what unique ways can contemporary performance address our preoc...
This thesis examines the way dramaturgical techniques in Shakespeare's late plays are used to create...
503 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1993.This study examines the witti...
Although a great deal has been written about stage objects as literary symbols, very little attentio...
This Senior Independent Study explores questions of human-driven catastrophe and how it is represent...
In his recent monograph, Marvin Carlson develops the premise first established in The Haunted Stage:...
This article analyzes the shift from emotion to affect in Caryl Churchill’s writing for the theatre,...
An in-depth analysis of the preparatory work and process of the production of Festen by David Eldrid...
In this article, Loughnane uses two key lines from the opening scene of Webster’s The Duchess of Mal...
This essay discusses the balance between theatricality and antitheatricalityin Faith Healer, by Bria...