My name is... // ...اسمي is a photo series that aims to depoliticize the highly politicized identity of the Arab, female refugee. Due to the growing number of refugees being forced out of their homes and displaced all around the globe, their collective existence has turned into a number. The world only sees one image when they think of an Arab refugee; the suffering, hopeless body of an Arab, struggling to cross borders. The world is not exposed to the real experiences of these individuals, and their stories remain untold. With this project, I aim to share these stories. Female refugees have unique experiences as women, and as mothers. They hold specific responsibilities within the displaced family and community as a whole. Each of them ...
The last decade has undergone many regional and global war conflicts that have received worldwide at...
This paper explores the various ways that major social, political, and economic issues influence Pal...
The Palestinian people were driven out of their land 70 years ago, and are currently dispersed all o...
My name is... // ...اسمي is a photo series that aims to depoliticize the highly politicized ident...
In my research and interviews throughout my Practicum, the topic of refugee representation in the me...
Photography has the ability to provoke ethical reflection and to provide an emotional connection to ...
This project analyzes the photography project “#RefugeeCameras”, where German photojournalist Kevin ...
This paper studies the news images of Syrian women refugees and the representational practices emplo...
Photographic images of Syrian refugees - smiling, sick, or suffering - on the news and in the ads of...
Existing literature on media depictions of refugees shows that they are predominantly negative and r...
Women face many challenges during the refugee journey and upon resettlement. They demonstrate great...
The following is part of a series of short posts on photographic practice in Palestine. In the fall ...
Female refugees, internally displaced persons (IDPs), and asylum seekers are especially vulnerable p...
Abstract"How do we see refugees? The refugee has become a multifaceted symbol, the most prominent po...
These photographs present the stories of twelve women. Many were rejected by their partners, landlor...
The last decade has undergone many regional and global war conflicts that have received worldwide at...
This paper explores the various ways that major social, political, and economic issues influence Pal...
The Palestinian people were driven out of their land 70 years ago, and are currently dispersed all o...
My name is... // ...اسمي is a photo series that aims to depoliticize the highly politicized ident...
In my research and interviews throughout my Practicum, the topic of refugee representation in the me...
Photography has the ability to provoke ethical reflection and to provide an emotional connection to ...
This project analyzes the photography project “#RefugeeCameras”, where German photojournalist Kevin ...
This paper studies the news images of Syrian women refugees and the representational practices emplo...
Photographic images of Syrian refugees - smiling, sick, or suffering - on the news and in the ads of...
Existing literature on media depictions of refugees shows that they are predominantly negative and r...
Women face many challenges during the refugee journey and upon resettlement. They demonstrate great...
The following is part of a series of short posts on photographic practice in Palestine. In the fall ...
Female refugees, internally displaced persons (IDPs), and asylum seekers are especially vulnerable p...
Abstract"How do we see refugees? The refugee has become a multifaceted symbol, the most prominent po...
These photographs present the stories of twelve women. Many were rejected by their partners, landlor...
The last decade has undergone many regional and global war conflicts that have received worldwide at...
This paper explores the various ways that major social, political, and economic issues influence Pal...
The Palestinian people were driven out of their land 70 years ago, and are currently dispersed all o...