The purpose of this study was to identify the content of undergraduate piano pedagogy core courses at four-year, National Association of Schools of Music (NASM)-accredited colleges and universities. Data were collected through a questionnaire sent to 321 pedagogy instructors listed in the 2001--2002 College Music Society Directory. The questionnaire sought information on the institution, the pedagogy instructor, the format of the undergraduate piano pedagogy core course(s), the topics covered in the core course(s), and the teaching and observation experiences included in the core course(s).Data analysis was based on 147 (45.79%) valid responses. The results showed that the typical core course is offered once every two years for 2.19 credits...
The goal of professional learning communities (PLC) is for teachers to come together to discuss and ...
The recent movement in academic reform and accountability has brought assessment and grading to the ...
Distributions of 4 new summative scales revealed high usage of both generic and digital music techno...
Piano teachers were asked to rate various piano pedagogy course topics as they related to relevance ...
The study contains seven chapters and several appendices. Chapter one defines the problem and provid...
Uszler's work as editor and author for national journals and magazines, including The Piano Quarterl...
Music teacher educators of the 21st century are tasked with preparing preservice music teachers to m...
The purpose of this study is to determine the potential benefits of offering classroom piano lessons...
When analyzed for frequencies of responses, the questionnaires revealed most of the respondents deci...
The purposes of this qualitative study were to 1) provide a holistic description of procedures used ...
A qualitative methodology was employed in this study. Six pianists on the faculties of southwestern ...
The purpose of this study was to describe perceived benefits and challenges of using a digital proce...
The purposes of this study were: 1) To assess the effects of practice strategies, metronome, meter, ...
This document consists of an introductory chapter followed by four chapters. The Introduction, Purpo...
Elvina Truman Pearce (b. 1931) was a leading piano pedagogue in the twentieth and twenty-first centu...
The goal of professional learning communities (PLC) is for teachers to come together to discuss and ...
The recent movement in academic reform and accountability has brought assessment and grading to the ...
Distributions of 4 new summative scales revealed high usage of both generic and digital music techno...
Piano teachers were asked to rate various piano pedagogy course topics as they related to relevance ...
The study contains seven chapters and several appendices. Chapter one defines the problem and provid...
Uszler's work as editor and author for national journals and magazines, including The Piano Quarterl...
Music teacher educators of the 21st century are tasked with preparing preservice music teachers to m...
The purpose of this study is to determine the potential benefits of offering classroom piano lessons...
When analyzed for frequencies of responses, the questionnaires revealed most of the respondents deci...
The purposes of this qualitative study were to 1) provide a holistic description of procedures used ...
A qualitative methodology was employed in this study. Six pianists on the faculties of southwestern ...
The purpose of this study was to describe perceived benefits and challenges of using a digital proce...
The purposes of this study were: 1) To assess the effects of practice strategies, metronome, meter, ...
This document consists of an introductory chapter followed by four chapters. The Introduction, Purpo...
Elvina Truman Pearce (b. 1931) was a leading piano pedagogue in the twentieth and twenty-first centu...
The goal of professional learning communities (PLC) is for teachers to come together to discuss and ...
The recent movement in academic reform and accountability has brought assessment and grading to the ...
Distributions of 4 new summative scales revealed high usage of both generic and digital music techno...