Scholarship that focuses on the role of servants in London comedies following the restoration of Charles II is almost non-existent even though servants appear in most every play written and produced during that period. Stage servants often serve as principle, essential characters who are pivotal to the action of the drama, and sometimes they are the star of the show, played by celebrity actors. Servant characters also serve to exemplify the frequently changing social mores and political issues of the period with their thoughtful observations and endeavors as they illustrate the innumerable themes about which scholars have written
This thesis is a study of how skill in the specific realm of service was understood in seventeenth- ...
Though much worthy scholarship exists about English Restoration theatre, few studies examine the int...
This thesis examines the portrayal of multiple roles in a production of Camelot, written by Alan Jay...
Scholarship that focuses on the role of servants in London comedies following the restoration of Cha...
English theatre of the Long Restoration (1660–1737) developed a distinctive stage presentation of se...
If the Renaissance was the Golden Age of English comedy, the Restoration was the Silver. These comed...
The costumes of the Restoration period, many of which were donated by elite patrons, were infused wi...
My thesis examines the theatrical Restoration rake character throughout the years 1660 to 1686. As a...
During the early part of the eighteenth century, a number of single, wealthy independent actresses e...
Current scholarship on Shakespeare’s The Merry Wives of Windsor mostly focuses on topics surrounding...
In my first chapter I have given an account of the origins and development of servant types before t...
This thesis builds upon the existing scholarship of theatrical historians such as Robert D. Hume, Ju...
This thesis addresses three aspects of the relationship between audience, playhouse and play in Rest...
This essay examines the complex nature of servant characters in Shakespeare’s plays King Lear, Othel...
Thesis (M.A.)--University of Kansas, English, 1919. ; Includes bibliographical references
This thesis is a study of how skill in the specific realm of service was understood in seventeenth- ...
Though much worthy scholarship exists about English Restoration theatre, few studies examine the int...
This thesis examines the portrayal of multiple roles in a production of Camelot, written by Alan Jay...
Scholarship that focuses on the role of servants in London comedies following the restoration of Cha...
English theatre of the Long Restoration (1660–1737) developed a distinctive stage presentation of se...
If the Renaissance was the Golden Age of English comedy, the Restoration was the Silver. These comed...
The costumes of the Restoration period, many of which were donated by elite patrons, were infused wi...
My thesis examines the theatrical Restoration rake character throughout the years 1660 to 1686. As a...
During the early part of the eighteenth century, a number of single, wealthy independent actresses e...
Current scholarship on Shakespeare’s The Merry Wives of Windsor mostly focuses on topics surrounding...
In my first chapter I have given an account of the origins and development of servant types before t...
This thesis builds upon the existing scholarship of theatrical historians such as Robert D. Hume, Ju...
This thesis addresses three aspects of the relationship between audience, playhouse and play in Rest...
This essay examines the complex nature of servant characters in Shakespeare’s plays King Lear, Othel...
Thesis (M.A.)--University of Kansas, English, 1919. ; Includes bibliographical references
This thesis is a study of how skill in the specific realm of service was understood in seventeenth- ...
Though much worthy scholarship exists about English Restoration theatre, few studies examine the int...
This thesis examines the portrayal of multiple roles in a production of Camelot, written by Alan Jay...