This essay will examine the new attitude with which nineteenth-century artist Henri de Toulouse-Lautrec approached the subject of prostitution. Toulouse-Lautrec’s focus on the subject culminated with his production of the Elles series in which he offers a look into how the prostitutes lived within the brothel, the mundane aspects of everyday life. This series shows how these women were confined by their surroundings and is a divergence from the typical approach to depicting the maison close and the prostitute depicted by artists like Edgar Degas. By looking at his previous works on the subject and works by Degas one begins to see how Toulouse-Lautrec offers a new viewpoint
Discussions of prostitution are commonplace in the history of nineteenth-century French art, but thi...
From the courtesan Esther in Honoré de Balzac’s Splendeurs et misères des courtisanes (1838-1847) to...
Elisabeth Louise Vigee Le Brun may be considered one of the most celebrated women artists of eightee...
This essay will examine the new attitude with which nineteenth-century artist Henri de Toulouse-Laut...
Nineteenth-century French novels are replete with prostitutes. These fictionalized versions of Paris...
In a collection of nearly 400 drawings entitled Livre de caricatures tant bonne que mauvaises, Charl...
Intimacy and exclusion: Degas's illustrations for Ludovic Halevy's La Famille Cardina
This thesis explores the “Storyville Portraits” as representations of sex work in the fin de siècle....
This dissertation examines representations of prostitution in male-authored French novels from the ...
Title from PDF of title page, viewed on August 10, 2011Thesis advisor: Frances ConnellyVitaIncludes ...
The Essay argues that both law and art represent deeply-rooted cultural ambivalences and ethical inc...
The portrait of Marie-Antoinette by Elisabeth Vigée-Lebrun, known as La Reine en gaulle, has been di...
In the 1960s and 1970s this formalist version seen in the previous chapter began to show signs of fa...
Destins de femmes is the first comprehensive overview of French women writers during the turbulent p...
As visual texts of subjectivity and ideology, paintings are uniquely useful tools for historical ana...
Discussions of prostitution are commonplace in the history of nineteenth-century French art, but thi...
From the courtesan Esther in Honoré de Balzac’s Splendeurs et misères des courtisanes (1838-1847) to...
Elisabeth Louise Vigee Le Brun may be considered one of the most celebrated women artists of eightee...
This essay will examine the new attitude with which nineteenth-century artist Henri de Toulouse-Laut...
Nineteenth-century French novels are replete with prostitutes. These fictionalized versions of Paris...
In a collection of nearly 400 drawings entitled Livre de caricatures tant bonne que mauvaises, Charl...
Intimacy and exclusion: Degas's illustrations for Ludovic Halevy's La Famille Cardina
This thesis explores the “Storyville Portraits” as representations of sex work in the fin de siècle....
This dissertation examines representations of prostitution in male-authored French novels from the ...
Title from PDF of title page, viewed on August 10, 2011Thesis advisor: Frances ConnellyVitaIncludes ...
The Essay argues that both law and art represent deeply-rooted cultural ambivalences and ethical inc...
The portrait of Marie-Antoinette by Elisabeth Vigée-Lebrun, known as La Reine en gaulle, has been di...
In the 1960s and 1970s this formalist version seen in the previous chapter began to show signs of fa...
Destins de femmes is the first comprehensive overview of French women writers during the turbulent p...
As visual texts of subjectivity and ideology, paintings are uniquely useful tools for historical ana...
Discussions of prostitution are commonplace in the history of nineteenth-century French art, but thi...
From the courtesan Esther in Honoré de Balzac’s Splendeurs et misères des courtisanes (1838-1847) to...
Elisabeth Louise Vigee Le Brun may be considered one of the most celebrated women artists of eightee...