Shakespeare wrote during a time of intense religious controversy, as Protestants, Catholics, and Puritans vied for spiritual authority in England. Although Henry VIII broke from the Catholic Church in the 1530s, Shakespeare’s work seems to still have been heavily influenced by Roman Catholic traditions. Both Measure for Measure and Romeo and Juliet are set in Catholic places and Catholic friars manipulate the outcomes in both plays. The portrayal of these characters offers insight into how Shakespeare may have viewed Catholics, as he did not leave behind clear evidence of his own religious convictions. The friars in Measure for Measure and Romeo and Juliet are well intentioned in their attempts to resolve Claudio’s impending execution in th...
At the end of The Tempest, Prospero (or, perhaps, the actor playing him) urges the audience, ‘As you...
The paper compares the two dukes in Shakespeare's Measure for Measure and The Tempest as they pull t...
The relationship between the Church in England and 'Victorian Shakespeare' has been outlined by Rich...
Shakespeare wrote during a time of intense religious controversy, as Protestants, Catholics, and Pur...
Shakespeare’s career in the theatre coincides with the ascendancy of Catholic-Protestant polemic, a ...
Shakespeare, interpreting late medieval English history from the ages of Geoffrey and Thomas Chaucer...
This article explores a central chapter in the history of the Catholic reception of Shakespeare’s wo...
The twentieth and the twenty-first centuries have Catholicised Shakespeare. At the heart of this mo...
Though William Shakespeare’s Romeo and Juliet is most often read as a tragic love story, the setting...
Following England’s break from the Catholic Church in 1534, Protestant thought gradually transformed...
Christian values permeated all aspects of human activity in sixteenth century England; the basic tru...
Pastoral challenges prompted pietists among Elizabethan Catholics and Calvinists to commend what his...
“Religions in Shakespeare’s Writings,„ the title of this special issue, can prompt...
Pastoral challenges prompted pietists among Elizabethan Catholics and Calvinists to commend what his...
“Religions in Shakespeare’s Writings,„ the title of this special issue...
At the end of The Tempest, Prospero (or, perhaps, the actor playing him) urges the audience, ‘As you...
The paper compares the two dukes in Shakespeare's Measure for Measure and The Tempest as they pull t...
The relationship between the Church in England and 'Victorian Shakespeare' has been outlined by Rich...
Shakespeare wrote during a time of intense religious controversy, as Protestants, Catholics, and Pur...
Shakespeare’s career in the theatre coincides with the ascendancy of Catholic-Protestant polemic, a ...
Shakespeare, interpreting late medieval English history from the ages of Geoffrey and Thomas Chaucer...
This article explores a central chapter in the history of the Catholic reception of Shakespeare’s wo...
The twentieth and the twenty-first centuries have Catholicised Shakespeare. At the heart of this mo...
Though William Shakespeare’s Romeo and Juliet is most often read as a tragic love story, the setting...
Following England’s break from the Catholic Church in 1534, Protestant thought gradually transformed...
Christian values permeated all aspects of human activity in sixteenth century England; the basic tru...
Pastoral challenges prompted pietists among Elizabethan Catholics and Calvinists to commend what his...
“Religions in Shakespeare’s Writings,„ the title of this special issue, can prompt...
Pastoral challenges prompted pietists among Elizabethan Catholics and Calvinists to commend what his...
“Religions in Shakespeare’s Writings,„ the title of this special issue...
At the end of The Tempest, Prospero (or, perhaps, the actor playing him) urges the audience, ‘As you...
The paper compares the two dukes in Shakespeare's Measure for Measure and The Tempest as they pull t...
The relationship between the Church in England and 'Victorian Shakespeare' has been outlined by Rich...