Add to ORKGPakistani-born and internationally recognized, Sikander’s (RISD MFA, 1995 Painting/Printmaking) pioneering practice takes Indo-Persian miniature painting as a point of departure. She challenges the strict formal tropes of miniature painting as well as its medium-based restrictions by experimenting with scale and media. In this lecture, Sikander reflects on her time at RISD and the work she created in the 1990s
India has long been a focal point of art. From the traditional to the contemporary, India is fast de...
The third lecture in the Global Perspectives Lecture Series, Aliza Shvarts presents Deepanjana Klein...
Painting as a Foreign Language was a group exhibition of twenty-three British artists curated by Pro...
"Shahzia Sikander, the Pakistani-born artist, has reinvented the tradition of miniature painting in ...
In addition to delivering a lecture about her evolving practice, the Pakistani-born maker met with g...
The discussion here considers the background to my research, my developing practice as an artist and...
Transnational artist Shahzia Sikander challenges the limitations of Edward Said\u27s postcolonial em...
textToday, a growing number of Pakistani artists have embraced the nation’s perceived visual languag...
Indian miniatures are in the art world a class by themselves. ‘Miniature’ generally refers to a pain...
A combined attention to style and influence has characterized the emerging field of global modernism...
Artists in Lahore have creatively reinterpreted Mughal miniature painting and its successors. The ar...
This practice led doctoral thesis explores the meaning of spirituality and its manifestation in figU...
Pencil, color pencil, charcoal, pastel, acrylic and oil color were used to create the 27 drawings an...
Previous generations of the artists evolved special methods of producing materials for their art wor...
Kantha or, as it is increasingly referred to now, nakshi kantha, is an important women’s domestic ar...
India has long been a focal point of art. From the traditional to the contemporary, India is fast de...
The third lecture in the Global Perspectives Lecture Series, Aliza Shvarts presents Deepanjana Klein...
Painting as a Foreign Language was a group exhibition of twenty-three British artists curated by Pro...
"Shahzia Sikander, the Pakistani-born artist, has reinvented the tradition of miniature painting in ...
In addition to delivering a lecture about her evolving practice, the Pakistani-born maker met with g...
The discussion here considers the background to my research, my developing practice as an artist and...
Transnational artist Shahzia Sikander challenges the limitations of Edward Said\u27s postcolonial em...
textToday, a growing number of Pakistani artists have embraced the nation’s perceived visual languag...
Indian miniatures are in the art world a class by themselves. ‘Miniature’ generally refers to a pain...
A combined attention to style and influence has characterized the emerging field of global modernism...
Artists in Lahore have creatively reinterpreted Mughal miniature painting and its successors. The ar...
This practice led doctoral thesis explores the meaning of spirituality and its manifestation in figU...
Pencil, color pencil, charcoal, pastel, acrylic and oil color were used to create the 27 drawings an...
Previous generations of the artists evolved special methods of producing materials for their art wor...
Kantha or, as it is increasingly referred to now, nakshi kantha, is an important women’s domestic ar...
India has long been a focal point of art. From the traditional to the contemporary, India is fast de...
The third lecture in the Global Perspectives Lecture Series, Aliza Shvarts presents Deepanjana Klein...
Painting as a Foreign Language was a group exhibition of twenty-three British artists curated by Pro...