Add to ORKGLiving aesthetics was understood by most Chinese scholars as a way to bridge the living world and aesthetic activity today. This article discusses contemporary Chinese art from the perspective of the new thinking of living aesthetics. We shall diachronically describe the historical relationship between aesthetics and art and also try to synchronically examine the theory connecting living aesthetics and contemporary Chinese art with each other
This article examines the practice of moxie or imitation in art in Chinese aesthetics, compares it w...
It could be said that chinese aesthetics merges together three cornerstones (capisaldi) of the weste...
Art and Text Collisions in Contemporary Chinese Art is a transdisciplinary practice-led mode of rese...
Modern Chinese aesthetics promotes the utilitarian function of the arts and artistic appreciation vi...
Although the Chinese contemporary art once copied the patterns of Western art, it has been proved th...
In this article, Carter tells the weaving tale of the globalization of art and the interplay between...
Given the present situation and problems of the research on contemporary China’s leisure culture and...
This thesis is to destabilize the Western dominant understanding of contemporary Chinese art when it...
Studying contemporary art in China is not an exclusively aesthetic choice. In the context of an emer...
[[abstract]]Art originated from life. It reflects the living milieu and spirit ideology of contempor...
The aim of this research project is to explore alternative visual narrative strategies for the conce...
Having gone through many generations of inheritance and development, Chinese paintings have become w...
In contemporary China, the theory of intersubjectivity causes great significance to the construction...
At the turn of the 1970s and 1980s, China underwent an important social transformation, which was am...
The article introduces Fang Dongmei’s and Xu Fuguan’s ideas about aesthetics and examines their diff...
This article examines the practice of moxie or imitation in art in Chinese aesthetics, compares it w...
It could be said that chinese aesthetics merges together three cornerstones (capisaldi) of the weste...
Art and Text Collisions in Contemporary Chinese Art is a transdisciplinary practice-led mode of rese...
Modern Chinese aesthetics promotes the utilitarian function of the arts and artistic appreciation vi...
Although the Chinese contemporary art once copied the patterns of Western art, it has been proved th...
In this article, Carter tells the weaving tale of the globalization of art and the interplay between...
Given the present situation and problems of the research on contemporary China’s leisure culture and...
This thesis is to destabilize the Western dominant understanding of contemporary Chinese art when it...
Studying contemporary art in China is not an exclusively aesthetic choice. In the context of an emer...
[[abstract]]Art originated from life. It reflects the living milieu and spirit ideology of contempor...
The aim of this research project is to explore alternative visual narrative strategies for the conce...
Having gone through many generations of inheritance and development, Chinese paintings have become w...
In contemporary China, the theory of intersubjectivity causes great significance to the construction...
At the turn of the 1970s and 1980s, China underwent an important social transformation, which was am...
The article introduces Fang Dongmei’s and Xu Fuguan’s ideas about aesthetics and examines their diff...
This article examines the practice of moxie or imitation in art in Chinese aesthetics, compares it w...
It could be said that chinese aesthetics merges together three cornerstones (capisaldi) of the weste...
Art and Text Collisions in Contemporary Chinese Art is a transdisciplinary practice-led mode of rese...