A general view of various ways in which virtual dance can be understood is presented in the first part of this article. It then appraises the uses of the term “virtual” in previous studies of digital dance. A more in-depth view of virtual dance as it relates to motion-capture is offered, and key issues are discussed regarding computer animation, digital imaging, motion signature, virtual reality and interactivity. The paper proposes that some forms of virtual dance be defined in relation to both digital technologies and contemporary theories of virtuality
Digital technologies are increasingly becoming part of dance performances: they for instance appear ...
Digital technologies are increasingly becoming part of dance performances: they for instance appear ...
Examining the ontology and place of digital dance within the spectrum of contemporary choreographic ...
A general view of various ways in which virtual dance can be understood is presented in the first pa...
The central project of contemporary dance has been to create a spatiotemporal poetics of the body ba...
The file attached to this record is the author's final peer reviewed version. The Publisher's final ...
This article is a reflection upon practice-led research, undertaken during the pandemic, that addres...
The purpose of this study is to investigate new tools for the artistic expression, which allow artis...
This chapter considers how the use of screens within dance performances and installations affects th...
Twenty years ago dancers working with performance technologies were happy to give away motion captur...
One of the primary assumptions of dance studies is that dance as an art only exists in the moment of...
Virtual reality (VR) is becoming an increasingly intriguing space for dancers and choreographers. Ch...
In this article, we will describe the uneven conditions in which dance practices are being extracted...
This chapter explores technology’s role as a key creative agent within digital dance performance mak...
This interdisciplinary research develops and puts forward an exploratory analysis of three styles of...
Digital technologies are increasingly becoming part of dance performances: they for instance appear ...
Digital technologies are increasingly becoming part of dance performances: they for instance appear ...
Examining the ontology and place of digital dance within the spectrum of contemporary choreographic ...
A general view of various ways in which virtual dance can be understood is presented in the first pa...
The central project of contemporary dance has been to create a spatiotemporal poetics of the body ba...
The file attached to this record is the author's final peer reviewed version. The Publisher's final ...
This article is a reflection upon practice-led research, undertaken during the pandemic, that addres...
The purpose of this study is to investigate new tools for the artistic expression, which allow artis...
This chapter considers how the use of screens within dance performances and installations affects th...
Twenty years ago dancers working with performance technologies were happy to give away motion captur...
One of the primary assumptions of dance studies is that dance as an art only exists in the moment of...
Virtual reality (VR) is becoming an increasingly intriguing space for dancers and choreographers. Ch...
In this article, we will describe the uneven conditions in which dance practices are being extracted...
This chapter explores technology’s role as a key creative agent within digital dance performance mak...
This interdisciplinary research develops and puts forward an exploratory analysis of three styles of...
Digital technologies are increasingly becoming part of dance performances: they for instance appear ...
Digital technologies are increasingly becoming part of dance performances: they for instance appear ...
Examining the ontology and place of digital dance within the spectrum of contemporary choreographic ...