Edward Yang (in Chinese 楊德昌, 1947-2007) is one of the most renowned Taiwanese directors, whose works raise criticisms of modernity. Since the New Culture Movement in the 1910s and 1920s, Chinese literati have queried the place of traditional Chinese culture, especially Confucianism, on the road to modernization. This paper gives an account of Yang’s understanding of modernization and the Confucian tradition as illustrated in his work, A Confucian Confusion (1994). We argue that, though he despised politically endorsed Confucianism as ideology, without sufficient justification Yang nonetheless reserves the possibility of taking Confucianism as a supplement to modernity
grantor: University of TorontoAs the Four Mini-Dragons have joined Japan in modernizing Ea...
Both inside and outside of China, there have been heated debates about Confucian democracy, Confucia...
The Chinese cinema from 1984 to 1989 was certainly different from that of the previous period based ...
Although Edward Yang (1947-2007) only completed seven full-length films in his lifespan, he is regar...
abstracttocpublished_or_final_versionComparative LiteratureMasterMaster of Philosoph
There is little literature on director Edward Yang and his films. I look to study his final film, Yi...
Music in Edward Yang\u27s film oeuvre is characterized by a wide variety of styles. Disparity and di...
Taiwan New Cinema continued for a long period, from 1982 when did appear In Our Time, a anthology fi...
This is a study of Yang Changji (1871-1920), whose thought exerted a profound influence on the shapi...
This thesis is an evaluation of the extent to which theories of focalization are useful for the anal...
About thirty years ago Yang Mo's novel The Song of Youth was made into a movie portraying young peop...
From his first film—a twenty-minute short, “Expectations” (1982)—to his last—a three-hour masterpiec...
Discussion of the historiography of the reception of Edward Yang's film and the specificity of it in...
Examines the various ways in which the Chinese intellectual tradition has been characterized as an \...
Following the recent success of Taiwanese film directors, such as Hou Hsiao-hsien, Edward Yang, Ang ...
grantor: University of TorontoAs the Four Mini-Dragons have joined Japan in modernizing Ea...
Both inside and outside of China, there have been heated debates about Confucian democracy, Confucia...
The Chinese cinema from 1984 to 1989 was certainly different from that of the previous period based ...
Although Edward Yang (1947-2007) only completed seven full-length films in his lifespan, he is regar...
abstracttocpublished_or_final_versionComparative LiteratureMasterMaster of Philosoph
There is little literature on director Edward Yang and his films. I look to study his final film, Yi...
Music in Edward Yang\u27s film oeuvre is characterized by a wide variety of styles. Disparity and di...
Taiwan New Cinema continued for a long period, from 1982 when did appear In Our Time, a anthology fi...
This is a study of Yang Changji (1871-1920), whose thought exerted a profound influence on the shapi...
This thesis is an evaluation of the extent to which theories of focalization are useful for the anal...
About thirty years ago Yang Mo's novel The Song of Youth was made into a movie portraying young peop...
From his first film—a twenty-minute short, “Expectations” (1982)—to his last—a three-hour masterpiec...
Discussion of the historiography of the reception of Edward Yang's film and the specificity of it in...
Examines the various ways in which the Chinese intellectual tradition has been characterized as an \...
Following the recent success of Taiwanese film directors, such as Hou Hsiao-hsien, Edward Yang, Ang ...
grantor: University of TorontoAs the Four Mini-Dragons have joined Japan in modernizing Ea...
Both inside and outside of China, there have been heated debates about Confucian democracy, Confucia...
The Chinese cinema from 1984 to 1989 was certainly different from that of the previous period based ...