Add to ORKGAn examination of the themes of love, romance and desire in Jane Campion's films 'The Piano,' 'The Portrait of a Lady,' 'In the Cut' and 'Bright Star.
This thesis analyses the way love is presented as the central storyline in cinema drawing upon genre...
Jane Campion’s The Piano (1993) and Catherine Breillat’s Barbe Bleue (2009) are film adaptations of ...
“Happy families are all alike; every unhappy family is unhappy in its own way,” opens Leo Tolstoy’s...
Several theoretical discourses take up the question of mirrors and reflections based on ancient myt...
GOING BEYOND THE VEIL Jane Campion's writing for films creates a universe, a vision of the world wh...
The aim of this essay is to inquire into the way John Keats’s poetry is used in Jane Campion’s film...
Jane Campion, one of the most celebrated auters of modern cinema, was the first female director to b...
Considering the trajectory of Jane Campion, one of the seven women who were nominated for the Oscar ...
Female specificity in narrative films is a topic as illusive and controversial as it is incredibly r...
There is a scene two-thirds of the way through The Piano in which the film's heroine, Ada, lies stre...
Explores the detail of Jane Campion’s film and television output, considering her vision and practic...
If, as Jacqueline Rose argues, the unconscious dreams of nations have purpose and effect in the worl...
An in-depth study of the production and reception history of Australian film-maker Jane Campion's fi...
Dissertação de mestrado em Mediação Cultural e Literária (área de especialização em Estudos do Cinem...
In this paper I explore the power of the female protagonist of the cinematic narrative The Piano, wr...
This thesis analyses the way love is presented as the central storyline in cinema drawing upon genre...
Jane Campion’s The Piano (1993) and Catherine Breillat’s Barbe Bleue (2009) are film adaptations of ...
“Happy families are all alike; every unhappy family is unhappy in its own way,” opens Leo Tolstoy’s...
Several theoretical discourses take up the question of mirrors and reflections based on ancient myt...
GOING BEYOND THE VEIL Jane Campion's writing for films creates a universe, a vision of the world wh...
The aim of this essay is to inquire into the way John Keats’s poetry is used in Jane Campion’s film...
Jane Campion, one of the most celebrated auters of modern cinema, was the first female director to b...
Considering the trajectory of Jane Campion, one of the seven women who were nominated for the Oscar ...
Female specificity in narrative films is a topic as illusive and controversial as it is incredibly r...
There is a scene two-thirds of the way through The Piano in which the film's heroine, Ada, lies stre...
Explores the detail of Jane Campion’s film and television output, considering her vision and practic...
If, as Jacqueline Rose argues, the unconscious dreams of nations have purpose and effect in the worl...
An in-depth study of the production and reception history of Australian film-maker Jane Campion's fi...
Dissertação de mestrado em Mediação Cultural e Literária (área de especialização em Estudos do Cinem...
In this paper I explore the power of the female protagonist of the cinematic narrative The Piano, wr...
This thesis analyses the way love is presented as the central storyline in cinema drawing upon genre...
Jane Campion’s The Piano (1993) and Catherine Breillat’s Barbe Bleue (2009) are film adaptations of ...
“Happy families are all alike; every unhappy family is unhappy in its own way,” opens Leo Tolstoy’s...