Examination of several sixteenth century Italian court balli that demonstrate the balance between gravitas and sprezzatura and how that balance dictates musical tempo for the accompaniment
Le jeu musical pour les danses de la Renaissance, comme pour les autres répertoires, a ses propres c...
PERFORMANCE PRACTICES IN FOUR PUCCINI ARIAS TEMPO CHOICES AND CHOOSERS Joshua O. Neumann, M.M. Unive...
We know from eighteenth-century sources on performance practice that tempo fluctuations in the shape...
Growing interest in studies on the relationship between music and movement has given rise to many pa...
After discussing the role of technology in achieving modern performance standards, this article exam...
How to convey the desired tempo is a problem that every composer had to face before the invention of...
Both the Italian tempo indications in Purcell\u27s sonatas and the occasional English words in the f...
The 15th-c. dance treatises of Domenico da Piacenza, Antonio Cornazano, and Guglielmo Ebreo da Pesar...
Dance is an art form that is traditionally taught through physical demonstration. Choreography is fo...
195 p.Thesis (D.M.A.)--University of Illinois at Urbana-Champaign, 1999.In the various performances ...
This study focuses on the danced suites described in the manuals of two prominent sixteenth-century ...
A reference book for the musician’s practical work of interpretation, this volume, after a general p...
Auhagen reviews and critiques Miehling\u27s book on tempo in the Baroque and Preclassic eras
The thesis is focused on courtly dancing in Italy in the early modem period. The work endeavours to ...
The main focus of the dissertation is 15th century Italian court dance, which was one of the prime m...
Le jeu musical pour les danses de la Renaissance, comme pour les autres répertoires, a ses propres c...
PERFORMANCE PRACTICES IN FOUR PUCCINI ARIAS TEMPO CHOICES AND CHOOSERS Joshua O. Neumann, M.M. Unive...
We know from eighteenth-century sources on performance practice that tempo fluctuations in the shape...
Growing interest in studies on the relationship between music and movement has given rise to many pa...
After discussing the role of technology in achieving modern performance standards, this article exam...
How to convey the desired tempo is a problem that every composer had to face before the invention of...
Both the Italian tempo indications in Purcell\u27s sonatas and the occasional English words in the f...
The 15th-c. dance treatises of Domenico da Piacenza, Antonio Cornazano, and Guglielmo Ebreo da Pesar...
Dance is an art form that is traditionally taught through physical demonstration. Choreography is fo...
195 p.Thesis (D.M.A.)--University of Illinois at Urbana-Champaign, 1999.In the various performances ...
This study focuses on the danced suites described in the manuals of two prominent sixteenth-century ...
A reference book for the musician’s practical work of interpretation, this volume, after a general p...
Auhagen reviews and critiques Miehling\u27s book on tempo in the Baroque and Preclassic eras
The thesis is focused on courtly dancing in Italy in the early modem period. The work endeavours to ...
The main focus of the dissertation is 15th century Italian court dance, which was one of the prime m...
Le jeu musical pour les danses de la Renaissance, comme pour les autres répertoires, a ses propres c...
PERFORMANCE PRACTICES IN FOUR PUCCINI ARIAS TEMPO CHOICES AND CHOOSERS Joshua O. Neumann, M.M. Unive...
We know from eighteenth-century sources on performance practice that tempo fluctuations in the shape...