You Must Be a Duet in Everything: An Examination of the Body in Wyndham Lewis\u27s Tarr

Wyndham Lewis is a much-ignored Canadian born British artist who alongside Ezra Pound, TS Eliot, Virginia Woolf, and James Joyce (all of whom he was friends with at various points in his life) helped form what we now call English High Modernism. Along with Ezra Pound in 1914, he founded the only avant-garde English art movement: Vorticism. Lewis was in his early thirties by that time, and had already joined and left the Bloomsbury Group. Although Vorticism is Lewis\u27s creation that gets him the most attention, his work defies classification: the list of his writings contains literature, philosophy, sociology, political science, journalism, short stories, art critiques, two autobiographies, travel essays, drama, and poetry, and he edited numerous journals, while he painted dozens upon dozens of paintings and drew feverishly before he went blind in the early 1950s. His visual style in his paintings ranges from \u27normal\u27 representational portraits, to cubist, futurist, Vorticist, and various non-representational styles