Theatre production is a collaborative creative activity. Recent theory and research into group creativity recognizes the relationships between individuals, groups, and the contexts in which creativity emerges. It also suggests that between the interactive creative processes of the collaborators and their work, the work itself becomes a kind of creative entity. In this essay, I explain how all creativity is now seen as collaboration, outline this process, and illustrate the differences between seeing theatre as an aggregate, collective activity and the more integrated view, in which the process is synergistically collaborative. An understanding of the cognitive and behavioral processes of group creativity can enhance and facilitate any creat...
This article discusses the role of creativity in theatre education. As we examine and define the ter...
This research examined the collaborative processes of making theatre inspired by science through the...
This article shows how to account for the sociomaterial dimension of distributed creativity in the a...
Collaborative writing has produced some of the world’s most important work for the stage, especially...
Studies of collective rehearsal for musical performance are relatively scarce; reflecting both the p...
What are the processes whereby the members of a theatre company work together over a period of weeks...
This school-based study explored how two intact classroom groups of students engaged with their dram...
Includes bibliographical references (p. 40-41)Musical theatre is one of the most collaborative art f...
Musical theatre is undoubtedly a collaborative art form. From composers and lyricists to lighting de...
This discusses the importance of this concept within creativity research. A distinction is made betw...
Communication is a pivotal element in creating theatre with other artists, with audiences, and with ...
Collaboration is an issue at the centre of Performance Arts Research. It is understood differently i...
In theatre we make little attempt to define or study creativity, yet we often demand it of our stude...
This thesis documents and explores specific writing practices in the theatre. As a playwright and de...
This thesis explores collaboration and its influence on artistic creativity through an investigation...
This article discusses the role of creativity in theatre education. As we examine and define the ter...
This research examined the collaborative processes of making theatre inspired by science through the...
This article shows how to account for the sociomaterial dimension of distributed creativity in the a...
Collaborative writing has produced some of the world’s most important work for the stage, especially...
Studies of collective rehearsal for musical performance are relatively scarce; reflecting both the p...
What are the processes whereby the members of a theatre company work together over a period of weeks...
This school-based study explored how two intact classroom groups of students engaged with their dram...
Includes bibliographical references (p. 40-41)Musical theatre is one of the most collaborative art f...
Musical theatre is undoubtedly a collaborative art form. From composers and lyricists to lighting de...
This discusses the importance of this concept within creativity research. A distinction is made betw...
Communication is a pivotal element in creating theatre with other artists, with audiences, and with ...
Collaboration is an issue at the centre of Performance Arts Research. It is understood differently i...
In theatre we make little attempt to define or study creativity, yet we often demand it of our stude...
This thesis documents and explores specific writing practices in the theatre. As a playwright and de...
This thesis explores collaboration and its influence on artistic creativity through an investigation...
This article discusses the role of creativity in theatre education. As we examine and define the ter...
This research examined the collaborative processes of making theatre inspired by science through the...
This article shows how to account for the sociomaterial dimension of distributed creativity in the a...