To be, is to be mobile. At least, that\u27s what Turkish-German director Fatih Akin would like the world to see. His acclaimed films have nursed a genre of this own - transnational cinema - which imagines our society\u27s desire to freely cross cultural, national, and traditional borders of self-identification, then wrenches it away. The implication of this perspective is that the statue quo isn\u27t there yet, giving rise to intolerance and tragedy in Akin\u27s contemporary society. Regardless of how developed our nations are and how intelligent the human race is, we can\u27t overcome our differences until we overcome ourselves. This article analyzes the thoughts and feelings of generations, particularly in Akin\u27s home nations, as the...
Utilizing the conceptual framework of transnationalism, the paper attempts to gain insights into the...
This article considers the development of “Turkish-German cinema” and situates it in relation to the...
In the last twenty years, European cinema has frequently represented the ongoing changes in the geop...
Imbuída de referências interdisciplinares, a presente investigação adota como ponto de partida duas ...
Over the last several decades, the boundaries of languages and national and ethnic identities have b...
In my dissertation I explore the role that borders play in the construction of German identity thro...
Fatih Akin’s internationally acclaimed film Gegen die Wand/Head-On (2004), one of the key works of ...
Niniejsza praca licencjacka poświęcona jest Fatihowi Akinowi – zarówno jemu samemu, jak i jego twórc...
textIn my dissertation, I discuss three of Akın’s feature films: Im Juli (In July, 2000), Gegen die ...
ABSTRACT This paper examines how Fatih Akin’s film Head-On/Gegen die Wand (2004), Feo Aladağ’s f...
With increased mobility enabled by evolving technology, the world experiences higher rates of migrat...
This paper aims to explore the developments of different concepts of culture in Turkish–German Migra...
This article reviews how the concept of “diaspora cinema” has featured in academic discourses over t...
Multicultural literature produced in the mid-20th century has been criticized for reducing its prota...
Borders are often regarded as the very basis for establishing a modern and territorial logic legitim...
Utilizing the conceptual framework of transnationalism, the paper attempts to gain insights into the...
This article considers the development of “Turkish-German cinema” and situates it in relation to the...
In the last twenty years, European cinema has frequently represented the ongoing changes in the geop...
Imbuída de referências interdisciplinares, a presente investigação adota como ponto de partida duas ...
Over the last several decades, the boundaries of languages and national and ethnic identities have b...
In my dissertation I explore the role that borders play in the construction of German identity thro...
Fatih Akin’s internationally acclaimed film Gegen die Wand/Head-On (2004), one of the key works of ...
Niniejsza praca licencjacka poświęcona jest Fatihowi Akinowi – zarówno jemu samemu, jak i jego twórc...
textIn my dissertation, I discuss three of Akın’s feature films: Im Juli (In July, 2000), Gegen die ...
ABSTRACT This paper examines how Fatih Akin’s film Head-On/Gegen die Wand (2004), Feo Aladağ’s f...
With increased mobility enabled by evolving technology, the world experiences higher rates of migrat...
This paper aims to explore the developments of different concepts of culture in Turkish–German Migra...
This article reviews how the concept of “diaspora cinema” has featured in academic discourses over t...
Multicultural literature produced in the mid-20th century has been criticized for reducing its prota...
Borders are often regarded as the very basis for establishing a modern and territorial logic legitim...
Utilizing the conceptual framework of transnationalism, the paper attempts to gain insights into the...
This article considers the development of “Turkish-German cinema” and situates it in relation to the...
In the last twenty years, European cinema has frequently represented the ongoing changes in the geop...