Add to ORKGWithin the pages of Eliza Haywood\u27s novels, masquerade is often used by female characters as a means by which to gain control or power. More specifically, Haywood\u27s female characters often misrepresent themselves as a means by which to achieve sexual power and even to obtain sexual gratification. Haywood also explores the theme of women\u27s uses of deception and even disguise as methods by which to skirt the confines of a male dominated society and as modes devoted to escaping the boundaries they inflict upon themselves in trying to maintain their virtue
Eliza Haywood’s domestic fiction, epitomized by The History of Miss Betsy Thoughtless (1751), does ...
Eliza Haywood was Defoe's counterpart in every respect, and even exceeded his achievement in the int...
Based on Suzanne Keen’s theory of narrative empathy, this article shows a variety of narrative techn...
English honors thesisThe essence of the masquerade ball is one of secrecy and fantasy. As a uniquely...
The eighteenth-century in Britain was a time in which women’s attempt to liberate themselves sexuall...
Eliza Haywood’s Love in Excess or, The Fatal Enquiry (1719) and Elizabeth Inchbald’s A Simple Story ...
The Long Eighteenth Century was a period in which change was constant and proceeding the Restoration...
This study investigates how Eliza Haywood addressed ideological conflicts about gender produced by m...
Writers of fiction capitalize upon dress’s potential as an agent of deception, using clothing as a m...
This thesis considers the development of a unique form of theatre - feminine resistance theatre. Thr...
In Eliza Haywood\u27s fiction, as in eighteenth-century Britain, social restrictions repress the sex...
Eliza Haywood’s works are often contentious and are daring in nature, and are often construed as reb...
When analyzing Eliza Haywood’s fiction, most critics focus on her use of sexuality and eroticism and...
I investigate the ghosts in Elizabeth Bowen’s short stories, “Green Holly” and “The Happy Autumn Fie...
My thesis connects Eliza Haywood with the Hillarians, a London-based coterie of young writers and ar...
Eliza Haywood’s domestic fiction, epitomized by The History of Miss Betsy Thoughtless (1751), does ...
Eliza Haywood was Defoe's counterpart in every respect, and even exceeded his achievement in the int...
Based on Suzanne Keen’s theory of narrative empathy, this article shows a variety of narrative techn...
English honors thesisThe essence of the masquerade ball is one of secrecy and fantasy. As a uniquely...
The eighteenth-century in Britain was a time in which women’s attempt to liberate themselves sexuall...
Eliza Haywood’s Love in Excess or, The Fatal Enquiry (1719) and Elizabeth Inchbald’s A Simple Story ...
The Long Eighteenth Century was a period in which change was constant and proceeding the Restoration...
This study investigates how Eliza Haywood addressed ideological conflicts about gender produced by m...
Writers of fiction capitalize upon dress’s potential as an agent of deception, using clothing as a m...
This thesis considers the development of a unique form of theatre - feminine resistance theatre. Thr...
In Eliza Haywood\u27s fiction, as in eighteenth-century Britain, social restrictions repress the sex...
Eliza Haywood’s works are often contentious and are daring in nature, and are often construed as reb...
When analyzing Eliza Haywood’s fiction, most critics focus on her use of sexuality and eroticism and...
I investigate the ghosts in Elizabeth Bowen’s short stories, “Green Holly” and “The Happy Autumn Fie...
My thesis connects Eliza Haywood with the Hillarians, a London-based coterie of young writers and ar...
Eliza Haywood’s domestic fiction, epitomized by The History of Miss Betsy Thoughtless (1751), does ...
Eliza Haywood was Defoe's counterpart in every respect, and even exceeded his achievement in the int...
Based on Suzanne Keen’s theory of narrative empathy, this article shows a variety of narrative techn...