Standard assumptions about the portrait of Anakreon known through works of the Roman period are here reviewed in light of all available evidence. Pausanias\u27s mention of a statue of the Ionic poet on the Athenian Akropolis has led to extensive conjectures about Anakreon\u27s relationship to Perikles\u27 family and the message such a monument was meant to convey. The possibility is raised that the known portrait was created later than ca. 440, and, more specifically, that the full-body representation now in Copenhagen served the requirements
The sculptural decoration of the Parthenon, conceived at the height of Athens’ power, was deeply roo...
The relationship between the Homeric epics and archaeology has been approached through the lens of H...
This study, the frst in a series of articles on freestanding Hellenistic sculpture from the Athenian...
Standard assumptions about the portrait of Anakreon known through works of the Roman period are here...
Parthenon East Metope XI, one of two metopes with three figures in the composition, has been one...
Portraits of a group of thirty kosmētai, public philosophy teachers in Athens, were found among the ...
Portraits of a group of thirty kosmētai, public philosophy teachers in Athens, were found among the ...
The paper discusses Athenian tokens, a numismatics category, which has rarely been touched upon by s...
This article reexamines an Attic red-figure calyx krater in Athens (Athens National Archaeological M...
The long-standing assumption that the large processional friezes on the Ara Pacis Augustae were desi...
The article addresses the collection of Roman portrait busts in the National Museum in Poznań, Polan...
Since its rediscovery in Rome in 1506, the Laocoon has raised issues regarding its date, its owner, ...
It is argued that the reverse of a newly-discovered medallion of Commodus has nothing to do with Mt...
This published abstract of a talk given at the AIA annual meetings in 1993 focuses on the Periklean ...
This thesis examines the relationship between formal appearance and function in Archaic korai statue...
The sculptural decoration of the Parthenon, conceived at the height of Athens’ power, was deeply roo...
The relationship between the Homeric epics and archaeology has been approached through the lens of H...
This study, the frst in a series of articles on freestanding Hellenistic sculpture from the Athenian...
Standard assumptions about the portrait of Anakreon known through works of the Roman period are here...
Parthenon East Metope XI, one of two metopes with three figures in the composition, has been one...
Portraits of a group of thirty kosmētai, public philosophy teachers in Athens, were found among the ...
Portraits of a group of thirty kosmētai, public philosophy teachers in Athens, were found among the ...
The paper discusses Athenian tokens, a numismatics category, which has rarely been touched upon by s...
This article reexamines an Attic red-figure calyx krater in Athens (Athens National Archaeological M...
The long-standing assumption that the large processional friezes on the Ara Pacis Augustae were desi...
The article addresses the collection of Roman portrait busts in the National Museum in Poznań, Polan...
Since its rediscovery in Rome in 1506, the Laocoon has raised issues regarding its date, its owner, ...
It is argued that the reverse of a newly-discovered medallion of Commodus has nothing to do with Mt...
This published abstract of a talk given at the AIA annual meetings in 1993 focuses on the Periklean ...
This thesis examines the relationship between formal appearance and function in Archaic korai statue...
The sculptural decoration of the Parthenon, conceived at the height of Athens’ power, was deeply roo...
The relationship between the Homeric epics and archaeology has been approached through the lens of H...
This study, the frst in a series of articles on freestanding Hellenistic sculpture from the Athenian...