CFP: Contested Frequencies: Sonic Representation in the Digital Age February 22-24, 2019 University of Richmond Contested Frequencies is a part of a yearlong festival hosted by the University of Richmond Music Department, entitled Beyond Exoticism. The conference will extend the festival’s focus on issues of aesthetic decolonization, appropriation, borrowing, and influence within the context of contemporary music, broadly conceived. This multidisciplinary meeting will feature scholarly and cr..
Curated Festival: collection of creative work exhibited together for first time as an event/Festival...
Call for papers for the II Historical Soundscapes Meeting - Évora 2019, that will take place at the ...
Deadline for submissions: 20 January 2019 Keynote Speaker: Professor Kathryn Rudy (University of St...
1st Annual Conference on Digital Preservation for the Arts, Social Sciences and Humanities (DPASSH 2...
Staging popular music: sustainable music ecologies for artists, industries and cities Erasmus Univ...
The Department of Performance Studies at Northwestern University announces a call for papers for our...
A long way to the top: The production and reception of music in a globalized world, Erasmus Universi...
Using East Asia as a point of departure, Contested Spaces challenges speakers to interrogate our und...
The Royal Music Association and the British Forum for Ethnomusicology is CFPing a joint study day at...
5th International Conference on Digital Libraries for Musicology, Paris 2018 A satellite event of IS...
Congress of the Swiss Sociological Association 2019 – The Future of Work September 10-12, 2019, Un...
Sounds, Images and Data 2015 is a conference that analyzes the role of the artists and curators in c...
Popular Music and Power. Sonic Materiality between Cultural Studies and Music Analysis Conference P...
Andrew J Cosgriff - CC BY-NC - Flickr WIM/IASPM joint conference 2022 University of Western On...
UID/EAT/00472/2013In recent years, there have been several social and cultural developments that hav...
Curated Festival: collection of creative work exhibited together for first time as an event/Festival...
Call for papers for the II Historical Soundscapes Meeting - Évora 2019, that will take place at the ...
Deadline for submissions: 20 January 2019 Keynote Speaker: Professor Kathryn Rudy (University of St...
1st Annual Conference on Digital Preservation for the Arts, Social Sciences and Humanities (DPASSH 2...
Staging popular music: sustainable music ecologies for artists, industries and cities Erasmus Univ...
The Department of Performance Studies at Northwestern University announces a call for papers for our...
A long way to the top: The production and reception of music in a globalized world, Erasmus Universi...
Using East Asia as a point of departure, Contested Spaces challenges speakers to interrogate our und...
The Royal Music Association and the British Forum for Ethnomusicology is CFPing a joint study day at...
5th International Conference on Digital Libraries for Musicology, Paris 2018 A satellite event of IS...
Congress of the Swiss Sociological Association 2019 – The Future of Work September 10-12, 2019, Un...
Sounds, Images and Data 2015 is a conference that analyzes the role of the artists and curators in c...
Popular Music and Power. Sonic Materiality between Cultural Studies and Music Analysis Conference P...
Andrew J Cosgriff - CC BY-NC - Flickr WIM/IASPM joint conference 2022 University of Western On...
UID/EAT/00472/2013In recent years, there have been several social and cultural developments that hav...
Curated Festival: collection of creative work exhibited together for first time as an event/Festival...
Call for papers for the II Historical Soundscapes Meeting - Évora 2019, that will take place at the ...
Deadline for submissions: 20 January 2019 Keynote Speaker: Professor Kathryn Rudy (University of St...