For any teacher of Greek tragedy, whether in Greek or in English, who has confronted student confusion on the role of the tragic chorus, or has been confronted by an obstinate interrogation on the ‘tragic flaw’, or similar anachronistic approach to Greek tragedy, this new work of a long-established scholar of choral poetry will be an essential help-mate. Claude Calame (C.) brings an approach to the tragic chorus that is at once semantic, ethnopoetic and one of cultural anthropology, to attain..
Focusing on choreia and performance, the author provides a detailed analysis of the parodos of Eurip...
This study is an investigation of adaptations of the Greek tragic chorus since World War II, includi...
International audienceAs a prooimion to an Homeric recitation on an aedic or rhapsodic mode on the o...
The article opens out the ways in which voices of both characters and chorus struggle to express hop...
In ancient Greek culture, the chorus was a social and religious institution, a musical form, and a m...
De la poésie chorale au stasimon tragique (pp. 1 8 1 -203) Transférées sur la scène attique et insé...
Over time the originally tragic chorus has undergone significant changes which have emphasised its m...
One of the most salient aspects of the chorus in Greek tragedy is its mediation between the play and...
For the ancient Athenians, tragedy was a species of choral poetry, a spectacular new development wit...
The resurgence of the ancient Greek tragedy in 20th century Europe reveals a phenomenon of great imp...
In this paper we shall try to clarify the role of the chorus in the origin and development of the an...
"Tragedy has always been an important literary genre. Topics dealt with these plays have so deeply p...
This thesis deals with how Western theatre directors have tried to solve the perceived ‘problem’ of ...
The aim of this PhD thesis, based on Aeschylus’, Sophocles’ and Euripides’ treatments of the Oedipus...
The musical analysis of Greek tragedy has traditionally been limited to studies of meter and metathe...
Focusing on choreia and performance, the author provides a detailed analysis of the parodos of Eurip...
This study is an investigation of adaptations of the Greek tragic chorus since World War II, includi...
International audienceAs a prooimion to an Homeric recitation on an aedic or rhapsodic mode on the o...
The article opens out the ways in which voices of both characters and chorus struggle to express hop...
In ancient Greek culture, the chorus was a social and religious institution, a musical form, and a m...
De la poésie chorale au stasimon tragique (pp. 1 8 1 -203) Transférées sur la scène attique et insé...
Over time the originally tragic chorus has undergone significant changes which have emphasised its m...
One of the most salient aspects of the chorus in Greek tragedy is its mediation between the play and...
For the ancient Athenians, tragedy was a species of choral poetry, a spectacular new development wit...
The resurgence of the ancient Greek tragedy in 20th century Europe reveals a phenomenon of great imp...
In this paper we shall try to clarify the role of the chorus in the origin and development of the an...
"Tragedy has always been an important literary genre. Topics dealt with these plays have so deeply p...
This thesis deals with how Western theatre directors have tried to solve the perceived ‘problem’ of ...
The aim of this PhD thesis, based on Aeschylus’, Sophocles’ and Euripides’ treatments of the Oedipus...
The musical analysis of Greek tragedy has traditionally been limited to studies of meter and metathe...
Focusing on choreia and performance, the author provides a detailed analysis of the parodos of Eurip...
This study is an investigation of adaptations of the Greek tragic chorus since World War II, includi...
International audienceAs a prooimion to an Homeric recitation on an aedic or rhapsodic mode on the o...