Okwui Enwezor © Andreas Gerbert In the first issue of the magazine Nka: Journal of Contemporary African Art, which he founded in 1994, in New York, Okwui Enwezor opened his preface with these words: “One of the problematic aspects of visiting museums, art galleries, and other sites of cultural valuation, in Europe and in the United States, is the pervasive absence in these highly policed environments, of art by contemporary African artists. Not only are the works of these artists (many of who..
Participants: Okwui Enwezor, Elizabeth Harney, dele jegede, Sidney Kasfir, Dominique Malaquais, Stev...
This paper focus on selection and exhibition of works in various exhibitions of Africa Remix, and ex...
In the 60’s, at the end of the colonial era, artists of Africa embarked on a path of self-identifica...
In "Trade Routes: History and Geography: 2nd Johannesburg Biennale" (1997), the first large biennial...
“Although I try and put things into perspective, I believe that the reason I have become so spiritua...
In Trade Routes: History and Geography: 2nd Johnnesburg Biennale, 1997, the first large biennial tha...
In Trade Routes: History and Geography: 2nd Johannesburg Biennale (1997), the first large biennial t...
Are we witnessing an attack of fleeting guilty conscience, or a harbinger of readjustment? African a...
This article aims to show the transformation in the way African art is displayed in museums which ha...
A* Magazine – A* standing for Art, Africa and Analysis – is the official publication of the ECAS (7t...
This article revisits Osa Egonwa's inaugural lecture titled "Writing about art and making art in Nig...
Presents a collection of essays developed from papers presented at the 1996 AICA conference on `Art ...
“Here’s another paradox. In a recent issue of the art magazine, Art in America, [one] American criti...
Seit der Unabhängigkeit Nigerias im Jahr 1960 fand im Kontext der Bildung einer nationalen Identität...
There has been a remarkable increase in exhibitions and scholarly publications on African contempora...
Participants: Okwui Enwezor, Elizabeth Harney, dele jegede, Sidney Kasfir, Dominique Malaquais, Stev...
This paper focus on selection and exhibition of works in various exhibitions of Africa Remix, and ex...
In the 60’s, at the end of the colonial era, artists of Africa embarked on a path of self-identifica...
In "Trade Routes: History and Geography: 2nd Johannesburg Biennale" (1997), the first large biennial...
“Although I try and put things into perspective, I believe that the reason I have become so spiritua...
In Trade Routes: History and Geography: 2nd Johnnesburg Biennale, 1997, the first large biennial tha...
In Trade Routes: History and Geography: 2nd Johannesburg Biennale (1997), the first large biennial t...
Are we witnessing an attack of fleeting guilty conscience, or a harbinger of readjustment? African a...
This article aims to show the transformation in the way African art is displayed in museums which ha...
A* Magazine – A* standing for Art, Africa and Analysis – is the official publication of the ECAS (7t...
This article revisits Osa Egonwa's inaugural lecture titled "Writing about art and making art in Nig...
Presents a collection of essays developed from papers presented at the 1996 AICA conference on `Art ...
“Here’s another paradox. In a recent issue of the art magazine, Art in America, [one] American criti...
Seit der Unabhängigkeit Nigerias im Jahr 1960 fand im Kontext der Bildung einer nationalen Identität...
There has been a remarkable increase in exhibitions and scholarly publications on African contempora...
Participants: Okwui Enwezor, Elizabeth Harney, dele jegede, Sidney Kasfir, Dominique Malaquais, Stev...
This paper focus on selection and exhibition of works in various exhibitions of Africa Remix, and ex...
In the 60’s, at the end of the colonial era, artists of Africa embarked on a path of self-identifica...