Tatiana Acevedo Guerrero (IHE lecturer and researcher in the Politics of Sanitation and Wastewater Governance), was invited to speak at the opening of the art exhibition “Delta” at the Stedelijk Museum Amsterdam. She offered her views on the works and the importance of certain apparitions and symbolic disappearances in Latin America. Meeting curators Beatriz Gago and Stephanie Noach, as they finished their book “Delta” was just a coincidence, since they were looking for someone interested i..
This volume presents an interdisciplinary analysis of the practice of disappearances in Mexico, from...
By Estela Schindel and Gabriel Gatti From 7th to 8th of February 2019, the Exploratory Workshop “S...
The Perfume of Absence/ El Perfume de la Ausencia, an accompanying publication to the homonymous ret...
Five years ago, the North Dakota Museum of Art hosted a panel on art and human rights in order to co...
Reception and opening of the exhibition titled “Nunca Más”: Niños Desaparecidos en Argentina y Las A...
& presented at the symposium ‘Collector Studies?’, KHIO, Oslo, March 22-23, 2007, with Isabelle Graw...
This article is part of the TRAFO series Emerging Topics. Insights from ‘Behind the Scenes’. Today, ...
To mark the finissage of the Schopf Exhibition, curated by Elena Agudio and Paz Guevara, we have inv...
International audienceIn his work, the Mexican sculptor Alfredo López Casanova pushes the boundaries...
This exhibition features work related to personal memories, including artists with perspectives of d...
Launching Afterall's Exhibition Histories series, this book offers critical reappraisal of two shows...
Regarding concepts such as “difficult knowledge” and “curatorial dreams” by Erica Lehrer and other f...
The photographic works Río abajo (Drifting away, 2008) and Sudarios (Shrouds, 2011) by the Colombian...
"This exhibition uses various techniques from collage to the documentary to explore issues of visibi...
This volume presents an interdisciplinary analysis of the practice of disappearances in Mexico, from...
By Estela Schindel and Gabriel Gatti From 7th to 8th of February 2019, the Exploratory Workshop “S...
The Perfume of Absence/ El Perfume de la Ausencia, an accompanying publication to the homonymous ret...
Five years ago, the North Dakota Museum of Art hosted a panel on art and human rights in order to co...
Reception and opening of the exhibition titled “Nunca Más”: Niños Desaparecidos en Argentina y Las A...
& presented at the symposium ‘Collector Studies?’, KHIO, Oslo, March 22-23, 2007, with Isabelle Graw...
This article is part of the TRAFO series Emerging Topics. Insights from ‘Behind the Scenes’. Today, ...
To mark the finissage of the Schopf Exhibition, curated by Elena Agudio and Paz Guevara, we have inv...
International audienceIn his work, the Mexican sculptor Alfredo López Casanova pushes the boundaries...
This exhibition features work related to personal memories, including artists with perspectives of d...
Launching Afterall's Exhibition Histories series, this book offers critical reappraisal of two shows...
Regarding concepts such as “difficult knowledge” and “curatorial dreams” by Erica Lehrer and other f...
The photographic works Río abajo (Drifting away, 2008) and Sudarios (Shrouds, 2011) by the Colombian...
"This exhibition uses various techniques from collage to the documentary to explore issues of visibi...
This volume presents an interdisciplinary analysis of the practice of disappearances in Mexico, from...
By Estela Schindel and Gabriel Gatti From 7th to 8th of February 2019, the Exploratory Workshop “S...
The Perfume of Absence/ El Perfume de la Ausencia, an accompanying publication to the homonymous ret...