Why is it that we watch Mad Men and think it represents a period? Flashes of patterned wallpaper, whiskey neat, babies born that are never mentioned, contact lining for kitchen drawers, Ayn Rand, polaroids, skinny ties, Hilton hotels, Walter Cronkite, and a time when Don Draper can ask ‘What do women want?’ and dry old Roger Sterling can reply ‘Who Cares?’ This essay explores the embrace of period detail in Mad Men finding it to be both loving and fetishistic, and belonging, like all period film, to the politics of the present
This article examines, in part, the spread of an introduced grass species, Buffel grass (Cenchrus ci...
A review of Sianne Ngai, Our Aesthetic Categories: Zany, Cute, Interesting (Harvard University Press...
A series of digitally inflected texts – September that never ends, some French belles, 1950/1986/19...
This interview focuses mainly on Kim Scott’s new novel That Deadman Dance which won the region...
This essay draws on definitions of gesture (Giorgio Agamben and Peter Brooks) and catachresis (Peter...
A review of Dianna Coole and Samantha Frost (eds), New Materialisms: Ontology, Agency, and Politics ...
E' l'Editoriale dello S. I. di Almatourism, curato dalla sottoscritta, dedicato a "Fashion between ...
This paper seeks to establish a critical understanding of issues of sexualization and re-appropriati...
Frank O’Hara’s 1957 poetry collection, Meditations in an Emergency, features in Season Two of Mad Me...
A review of Lyn McCredden's Luminous Moments: The Contemporary Sacred (ATF Press, Adelaide, 2010)
A review of Dan Fleming and Damion Sturm's Media, Masculinities, and the Machine: F1, Transformers, ...
A review of Melissa Gregg, Work’s Intimacy (Polity, Cambridge, 2011) and David Hesmondhalgh and Sara...
E' l'Editoriale dello S. I. di Almatourism, curato dalla sottoscritta, dedicato a "Fashion between ...
A review of Ross Perlin's Intern Nation: How to Earn Nothing and Learn Little (Verso, 2012)
The authors argue that both Pong in the mid-1970s and the Wii today have transformed the television ...
This article examines, in part, the spread of an introduced grass species, Buffel grass (Cenchrus ci...
A review of Sianne Ngai, Our Aesthetic Categories: Zany, Cute, Interesting (Harvard University Press...
A series of digitally inflected texts – September that never ends, some French belles, 1950/1986/19...
This interview focuses mainly on Kim Scott’s new novel That Deadman Dance which won the region...
This essay draws on definitions of gesture (Giorgio Agamben and Peter Brooks) and catachresis (Peter...
A review of Dianna Coole and Samantha Frost (eds), New Materialisms: Ontology, Agency, and Politics ...
E' l'Editoriale dello S. I. di Almatourism, curato dalla sottoscritta, dedicato a "Fashion between ...
This paper seeks to establish a critical understanding of issues of sexualization and re-appropriati...
Frank O’Hara’s 1957 poetry collection, Meditations in an Emergency, features in Season Two of Mad Me...
A review of Lyn McCredden's Luminous Moments: The Contemporary Sacred (ATF Press, Adelaide, 2010)
A review of Dan Fleming and Damion Sturm's Media, Masculinities, and the Machine: F1, Transformers, ...
A review of Melissa Gregg, Work’s Intimacy (Polity, Cambridge, 2011) and David Hesmondhalgh and Sara...
E' l'Editoriale dello S. I. di Almatourism, curato dalla sottoscritta, dedicato a "Fashion between ...
A review of Ross Perlin's Intern Nation: How to Earn Nothing and Learn Little (Verso, 2012)
The authors argue that both Pong in the mid-1970s and the Wii today have transformed the television ...
This article examines, in part, the spread of an introduced grass species, Buffel grass (Cenchrus ci...
A review of Sianne Ngai, Our Aesthetic Categories: Zany, Cute, Interesting (Harvard University Press...
A series of digitally inflected texts – September that never ends, some French belles, 1950/1986/19...