Understanding an institution’s historical conception and its subsequent role on collecting practices and museum narrative is essential when entering into an international internship. Understanding the history of a collection, the initial conception of an actual permanent exhibition and the limitations of available resources can lead to a deeper appreciation and cultural exchange by explaining otherwise confusing or odd differences. Of course not every cultural difference can be explained by an institutional history. But larger questions of interpretation can be explored through the lens of understanding the international partner’s history
"The Building of the National Museum of African American History and Culture traces the making of th...
In spite of many years of research, theorizing, debate and contestation, there is always freshness a...
In Namibia, it is difficult today to locate many historical artefacts that embody the cultural iden...
In Ghana, December 1994 marked the grand opening of the exhibition titled, “Crossroads of People, Cr...
This paper examines two manuscript collections housed at the Schomburg Center for Research in Black ...
This study explores museum exhibitions of colonial histories through a tripartite approach by examin...
This thesis takes a biographical approach to the West African collections at the Manchester Museum, ...
The Asante Manhyia Palace Museum one of the oldest in Asante, has in its collection a legacy of r...
The monumental museums that this thesis is concerned with are the ones with an acknowledged role in ...
The historical understanding of a place is bent to the will of the passage of time, but is susceptib...
This thesis examines the infrastructure behind the academic discipline of African History. By lookin...
Presenting a history of slavery that resonates with multiple audiences and serves necessary educatio...
Between 1957 and 1966, Ghana hosted a number of African nationalist parties and it helped them in a...
Making African Connections was a two-year research project inspired by calls for the return of Afric...
In February 2016, students at Jesus College, Cambridge voted unanimously to repatriate to Nigeria a ...
"The Building of the National Museum of African American History and Culture traces the making of th...
In spite of many years of research, theorizing, debate and contestation, there is always freshness a...
In Namibia, it is difficult today to locate many historical artefacts that embody the cultural iden...
In Ghana, December 1994 marked the grand opening of the exhibition titled, “Crossroads of People, Cr...
This paper examines two manuscript collections housed at the Schomburg Center for Research in Black ...
This study explores museum exhibitions of colonial histories through a tripartite approach by examin...
This thesis takes a biographical approach to the West African collections at the Manchester Museum, ...
The Asante Manhyia Palace Museum one of the oldest in Asante, has in its collection a legacy of r...
The monumental museums that this thesis is concerned with are the ones with an acknowledged role in ...
The historical understanding of a place is bent to the will of the passage of time, but is susceptib...
This thesis examines the infrastructure behind the academic discipline of African History. By lookin...
Presenting a history of slavery that resonates with multiple audiences and serves necessary educatio...
Between 1957 and 1966, Ghana hosted a number of African nationalist parties and it helped them in a...
Making African Connections was a two-year research project inspired by calls for the return of Afric...
In February 2016, students at Jesus College, Cambridge voted unanimously to repatriate to Nigeria a ...
"The Building of the National Museum of African American History and Culture traces the making of th...
In spite of many years of research, theorizing, debate and contestation, there is always freshness a...
In Namibia, it is difficult today to locate many historical artefacts that embody the cultural iden...