This paper addresses the comic routine of Australian born U.S. comedian Gregg Turkington’s alter-ego, ‘Neil Hamburger’, from the perspective of Aristotle’s ancient conception of the risible as a species of the unacceptable, or the unseemly. In doing so, it explores two thresholds of acceptability, subjective and social, which are relevant to an understanding of Hamburger’s comic style. The paper argues that Hamburger’s style willfully violates those thresholds, risking the audience’s laughter, and yet working towards the visualization of a less normative kind of ‘unseemliness’ that underlies Hamburger’s politics: reverence for celebrity and the sacred
Comedy is currently enjoying unprecedented growth within the British culture industries. Defying the...
Why is humour so hard to understand? Rather like attempts to explain how music can move us, attempts...
Humour is worthy of serious ethical consideration. However, it is often taken far too seriously. In ...
This paper addresses the comic routine of Australian born U.S. comedian Gregg Turkington’s alter-ego...
This paper addresses the comic routine of Australian born U.S. comedian Gregg Turkington’s alter-ego...
This paper addresses the comic routine of Australian born U.S. comedian Gregg Turkington's alter-ego...
Paper delivered at the 2009 meeting of the International Society for Humor Studies, Long Beach CA.Jo...
Some humor is offensive, but does this convey a moral constraint on what comedians can include in th...
his paper considers the question of how immoral elements in instances of humour affect funniness. Co...
The fine line between humour and offence has long been of interest for scholars and media outlets al...
Recent work in the sociological critique of humour and comic media has challenged the notion that hu...
We live in a world that witnesses an ongoing war between an entitled audience and, for th...
In this article, I analyze controversial humor and argue that the concept of disobedience is of cen...
The case study Flight of the Conchords is discussed to arrive at a better understanding of what good...
This thesis is the first to examine stand-up comedy within an academic framework. It begins with a ...
Comedy is currently enjoying unprecedented growth within the British culture industries. Defying the...
Why is humour so hard to understand? Rather like attempts to explain how music can move us, attempts...
Humour is worthy of serious ethical consideration. However, it is often taken far too seriously. In ...
This paper addresses the comic routine of Australian born U.S. comedian Gregg Turkington’s alter-ego...
This paper addresses the comic routine of Australian born U.S. comedian Gregg Turkington’s alter-ego...
This paper addresses the comic routine of Australian born U.S. comedian Gregg Turkington's alter-ego...
Paper delivered at the 2009 meeting of the International Society for Humor Studies, Long Beach CA.Jo...
Some humor is offensive, but does this convey a moral constraint on what comedians can include in th...
his paper considers the question of how immoral elements in instances of humour affect funniness. Co...
The fine line between humour and offence has long been of interest for scholars and media outlets al...
Recent work in the sociological critique of humour and comic media has challenged the notion that hu...
We live in a world that witnesses an ongoing war between an entitled audience and, for th...
In this article, I analyze controversial humor and argue that the concept of disobedience is of cen...
The case study Flight of the Conchords is discussed to arrive at a better understanding of what good...
This thesis is the first to examine stand-up comedy within an academic framework. It begins with a ...
Comedy is currently enjoying unprecedented growth within the British culture industries. Defying the...
Why is humour so hard to understand? Rather like attempts to explain how music can move us, attempts...
Humour is worthy of serious ethical consideration. However, it is often taken far too seriously. In ...