UID/FIL/00183/2013 SFRH/BD/36845/2007This paper explores Walter Benjamin’s remarks on two childhood photographs, one of himself and one of Kafka. The different meanings and implications of these remarks show us the multiplicity of experiences photography makes possible. In this way, we rediscover central aspects of Benjamin’s thought, such as mimesis, redemption and oblivion, and enrich our comprehension of what photography is and might be.publishersversionpublishe
This article intends to investigate how the work of art, especially the technically produced work, c...
This special issue dedicated to Wlater Benjamin collects five essays in which a fundamental feature ...
Benjamin, tarihi anlamanın doğası hakkında yazarken, fotoğrafla tarih arasındaki ilişkiyi ortaya çık...
UID/FIL/00183/2013 SFRH/BD/36845/2007This paper explores Walter Benjamin’s remarks on two childhood ...
This thesis compares and contrasts the multiple discourses on photography found in the critical and ...
This article explores Walter Benjamin's famous concept of the aura in relation to his writings on ph...
This thesis compares and contrasts the multiple discourses on photography found in the critical and...
SFRH/BPD/95752/2013 UID/FIL/00183/2013This article analyses two photographic motives in Walter Be...
This paper explores the key moments in Benjamin’s and Barthes’s analyses of the cultural significanc...
The paper both connects and disassociates the work of Walter Benjamin and Aby Warburg. There are two...
© 2017 A. Benjamin. The paper both connects and disassociates the work of Walter Benjamin and Aby Wa...
In the twentieth century, due to the development of mechanical reproduction and press, photomontage ...
The "eventfulness" of the photograph—the force of its becoming and its continued potentiality—is the...
Photography is one of the principal filters through which we engage the world. The contributors to t...
This thesis examines the notion of experience in the philosophy of Walter Benjamin. It focuses on t...
This article intends to investigate how the work of art, especially the technically produced work, c...
This special issue dedicated to Wlater Benjamin collects five essays in which a fundamental feature ...
Benjamin, tarihi anlamanın doğası hakkında yazarken, fotoğrafla tarih arasındaki ilişkiyi ortaya çık...
UID/FIL/00183/2013 SFRH/BD/36845/2007This paper explores Walter Benjamin’s remarks on two childhood ...
This thesis compares and contrasts the multiple discourses on photography found in the critical and ...
This article explores Walter Benjamin's famous concept of the aura in relation to his writings on ph...
This thesis compares and contrasts the multiple discourses on photography found in the critical and...
SFRH/BPD/95752/2013 UID/FIL/00183/2013This article analyses two photographic motives in Walter Be...
This paper explores the key moments in Benjamin’s and Barthes’s analyses of the cultural significanc...
The paper both connects and disassociates the work of Walter Benjamin and Aby Warburg. There are two...
© 2017 A. Benjamin. The paper both connects and disassociates the work of Walter Benjamin and Aby Wa...
In the twentieth century, due to the development of mechanical reproduction and press, photomontage ...
The "eventfulness" of the photograph—the force of its becoming and its continued potentiality—is the...
Photography is one of the principal filters through which we engage the world. The contributors to t...
This thesis examines the notion of experience in the philosophy of Walter Benjamin. It focuses on t...
This article intends to investigate how the work of art, especially the technically produced work, c...
This special issue dedicated to Wlater Benjamin collects five essays in which a fundamental feature ...
Benjamin, tarihi anlamanın doğası hakkında yazarken, fotoğrafla tarih arasındaki ilişkiyi ortaya çık...