The work of Richard W. James explores themes of personal narrative creation and cognitive dissonance as affected by the influences of culture and religion. In first person narrative, this thesis paper discusses the body of work created for his thesis show in March, 2016. Specifically, this paper explores his motivations for making ceramic work and ways in which past explorations in the studio has led to his current body of work. His personal history, influences, use of form and material choices are explored in detail along with the future trajectory of the artwork
My thesis is the result of four years of determined work. The starting point for it can be considere...
2015 Spring.Includes bibliographical references.Wood is a warm, natural material that has a long his...
The purpose of this thesis is to explore the correlation between non-objective painting and sculptur...
The work of Richard W. James explores themes of personal narrative creation and cognitive dissonance...
Recent works have presented personal observations of the world's inner-functionality, as connections...
textCovering the topics of my conceptual interests overlapping with the production of several bodies...
By investigating the juxtaposition of the spiritual sacrifice between life and death, as well as dis...
This document focuses on the development of my artwork during my three year studio practice at the U...
This thesis covers a series of etchings created between 1998 and 2000 in completion of the requireme...
The intent of this thesis is to develop a cohesive body of work that makes use of a narrative that i...
This thesis will outline my material processes, ideas and concepts during my studies at York Univers...
The purpose of this thesis is to describe the research I completed and the body of work produced dur...
The dichotomy between creative processes, practices and life is one of the main themes in historical...
Thoughts on magic, spectacle, arena, material, materiality, marrow, invincibility, repetition, perfo...
There is a separation between the seen and the unseen, material and immaterial, sacred and mundane. ...
My thesis is the result of four years of determined work. The starting point for it can be considere...
2015 Spring.Includes bibliographical references.Wood is a warm, natural material that has a long his...
The purpose of this thesis is to explore the correlation between non-objective painting and sculptur...
The work of Richard W. James explores themes of personal narrative creation and cognitive dissonance...
Recent works have presented personal observations of the world's inner-functionality, as connections...
textCovering the topics of my conceptual interests overlapping with the production of several bodies...
By investigating the juxtaposition of the spiritual sacrifice between life and death, as well as dis...
This document focuses on the development of my artwork during my three year studio practice at the U...
This thesis covers a series of etchings created between 1998 and 2000 in completion of the requireme...
The intent of this thesis is to develop a cohesive body of work that makes use of a narrative that i...
This thesis will outline my material processes, ideas and concepts during my studies at York Univers...
The purpose of this thesis is to describe the research I completed and the body of work produced dur...
The dichotomy between creative processes, practices and life is one of the main themes in historical...
Thoughts on magic, spectacle, arena, material, materiality, marrow, invincibility, repetition, perfo...
There is a separation between the seen and the unseen, material and immaterial, sacred and mundane. ...
My thesis is the result of four years of determined work. The starting point for it can be considere...
2015 Spring.Includes bibliographical references.Wood is a warm, natural material that has a long his...
The purpose of this thesis is to explore the correlation between non-objective painting and sculptur...