Add to ORKGInspired by Hans Davidsson’s 2007 recording of the complete works of Dieterich Buxtehude (1637-1707) in quarter-comma meantone temperament, this document attempts to develop an analytical system that can illuminate various relationships between written music and temperament. Eleven of Buxtehude’s praeludia, the scope of this project, are presented in a temporally driven graphic format. Data is extracted, individual and comparative analyses are made, and minor conclusions are drawn
Rhythm is at the heart of all music. It is the variation of the duration of sound over time. A rhyth...
Writers on 18th-century musical ornamentation have traditionally focused on the execution of notated...
This dissertation argues how motivic saturation on the musical surface complicates a conventional ha...
The music of Johann Jacob Froberger (1616-1667) poses challenges for the performer when selecting an...
James Kallembach’s music has been premiered by acclaimed choral groups such as Seraphic Fire and Lor...
In this dissertation, I examine four works by Chopin and address issues of expressive performance de...
The ten works presented here were composed between early 2012 and early 2015. They chart a process o...
This commentary accompanies a portfolio of six compositions written between 2017 and 2019 with diffe...
Liszt’s Vallée d’Obermann, like many piano works from his Années de Pèlerinage, is explicitly linked...
The history of the development of mathematics and the development of Western music unleashes fascina...
The musical work which is described in much of this thesis involves an instrument from Hungary, one ...
Thesis (MPhil)--Stellenbosch University, 2020.ENGLISH ABSTRACT: An experiment was conducted to test ...
How To Go On is a thirty-five minute work for a cappella choir composed by Dale Trumbore from 2015 t...
This project produces a new performance edition of the Concerto for Two Oboes in G Major, FWV L G9 b...
The main purpose of this dissertation is to offer classical guitarists an additional analytical tech...
Rhythm is at the heart of all music. It is the variation of the duration of sound over time. A rhyth...
Writers on 18th-century musical ornamentation have traditionally focused on the execution of notated...
This dissertation argues how motivic saturation on the musical surface complicates a conventional ha...
The music of Johann Jacob Froberger (1616-1667) poses challenges for the performer when selecting an...
James Kallembach’s music has been premiered by acclaimed choral groups such as Seraphic Fire and Lor...
In this dissertation, I examine four works by Chopin and address issues of expressive performance de...
The ten works presented here were composed between early 2012 and early 2015. They chart a process o...
This commentary accompanies a portfolio of six compositions written between 2017 and 2019 with diffe...
Liszt’s Vallée d’Obermann, like many piano works from his Années de Pèlerinage, is explicitly linked...
The history of the development of mathematics and the development of Western music unleashes fascina...
The musical work which is described in much of this thesis involves an instrument from Hungary, one ...
Thesis (MPhil)--Stellenbosch University, 2020.ENGLISH ABSTRACT: An experiment was conducted to test ...
How To Go On is a thirty-five minute work for a cappella choir composed by Dale Trumbore from 2015 t...
This project produces a new performance edition of the Concerto for Two Oboes in G Major, FWV L G9 b...
The main purpose of this dissertation is to offer classical guitarists an additional analytical tech...
Rhythm is at the heart of all music. It is the variation of the duration of sound over time. A rhyth...
Writers on 18th-century musical ornamentation have traditionally focused on the execution of notated...
This dissertation argues how motivic saturation on the musical surface complicates a conventional ha...