The Gaza war controversy over positions of showing ('hill of shame' vs. 'Gaza street' views) throws into relief the moralizing power of a particular way of seeing, witnessing, that organizes Western war and conflict reporting around demands for pity about human suffering rather than demands for justice over the causes of war. Insofar as witnessing functions as the key mode of seeing in Western media, this article argues, it becomes responsible for reproducing hierarchies of place and human life that prioritise Western over non-Western suffering as a cause of emotion and action for media publics
Most of today’s humanitarian catastrophes are taking place in countries of the so-called Global Sout...
The price paid in lives by journalists to report from dangerous war zones and oppressive regimes kee...
In delivering news worldwide, mass media uses narrative techniques to create unique themes of intere...
The Gaza war controversy over positions of showing ('hill of shame' vs. 'Gaza street' views) throws ...
What counts as "human" in the mass media representations of humanitarian wars? Which is the subject ...
This article analyses an example of war footage in order to trace the ways in which the tension betw...
Meaningful Violence examines how journalists produce knowledge of war and the frictions – practical,...
Wars, having negative effects on local, national and global scales, violate the fundamental rights o...
This article argues that the BBC World footage of the bombardment of Baghdad, March–April 2003, mana...
This article studies Israeli news coverage (chiefly via newspapers and television) of the Gaza war o...
This book demonstrates how international media coverage of contemporary wars often encourages seriou...
In our wired world, visual images of military conflict and political strife are ubiquitous. Far less...
In the summer of 2014, a violent conflagration erupted in the isolated Palestinian enclave of Gaza. ...
One of the most controversial wars in contemporary history, both in terms of the ideological powers ...
This article examines how national broadcast media in Israel reported on the international coverage ...
Most of today’s humanitarian catastrophes are taking place in countries of the so-called Global Sout...
The price paid in lives by journalists to report from dangerous war zones and oppressive regimes kee...
In delivering news worldwide, mass media uses narrative techniques to create unique themes of intere...
The Gaza war controversy over positions of showing ('hill of shame' vs. 'Gaza street' views) throws ...
What counts as "human" in the mass media representations of humanitarian wars? Which is the subject ...
This article analyses an example of war footage in order to trace the ways in which the tension betw...
Meaningful Violence examines how journalists produce knowledge of war and the frictions – practical,...
Wars, having negative effects on local, national and global scales, violate the fundamental rights o...
This article argues that the BBC World footage of the bombardment of Baghdad, March–April 2003, mana...
This article studies Israeli news coverage (chiefly via newspapers and television) of the Gaza war o...
This book demonstrates how international media coverage of contemporary wars often encourages seriou...
In our wired world, visual images of military conflict and political strife are ubiquitous. Far less...
In the summer of 2014, a violent conflagration erupted in the isolated Palestinian enclave of Gaza. ...
One of the most controversial wars in contemporary history, both in terms of the ideological powers ...
This article examines how national broadcast media in Israel reported on the international coverage ...
Most of today’s humanitarian catastrophes are taking place in countries of the so-called Global Sout...
The price paid in lives by journalists to report from dangerous war zones and oppressive regimes kee...
In delivering news worldwide, mass media uses narrative techniques to create unique themes of intere...