The concept of affect in contemporary theory marks a return to the body as a site for the interplay of thought and feeling, and its importance derives from its refusal to reduce the body to the status of a container for either the mind or, by implication, the emotions. The body is the very condition for the transmission or distribution of affect both in terms of its capacity for movement and for perceptual engagement, whereas emotion is a particular type of containment and localisation of affect within the body. For modernist dance, the breadth of the theory of affect means. "From abstract
Dance as art has been philosophically characterized as involving the natural expressivenes...
Philosophers of art draw a distinction between two broad sets of concerns: questions about aesthetic...
The goal of the paper is to develop a framework in which to ground the analysis of the aesthetics of...
Drawing from current anthropological theory of affect, this thesis explores the communication of sen...
This chapter investigates the experience of being moved by a theater or dance performance. It explor...
Humans were expressing their needs and emotions in movement far before developing speech or any othe...
This essay is an invitation to consider the possibilities of dancing as a process of education and h...
This book addresses an under-researched area of modernist studies, reconsidering modernist attitudes...
The objective of the present work was the characterization of mechanisms by which affective experien...
In dance/movement therapy (DMT), it is a shared belief that humans can use dance movement to express...
As a phenomenological investigation this thesis is grounded in the primal reality of the body in mot...
As dance is an instrument of expressing one’s emotion, it exists almost every society in vario...
In the past two decades, there has been a ubiquitous turn to affect theory in discourses within the ...
The purpose of this dissertation is to sketch, within an analytical framework, a theory of dance as ...
The art of performance dance in the 20th century is undergoing a transformation involving values, co...
Dance as art has been philosophically characterized as involving the natural expressivenes...
Philosophers of art draw a distinction between two broad sets of concerns: questions about aesthetic...
The goal of the paper is to develop a framework in which to ground the analysis of the aesthetics of...
Drawing from current anthropological theory of affect, this thesis explores the communication of sen...
This chapter investigates the experience of being moved by a theater or dance performance. It explor...
Humans were expressing their needs and emotions in movement far before developing speech or any othe...
This essay is an invitation to consider the possibilities of dancing as a process of education and h...
This book addresses an under-researched area of modernist studies, reconsidering modernist attitudes...
The objective of the present work was the characterization of mechanisms by which affective experien...
In dance/movement therapy (DMT), it is a shared belief that humans can use dance movement to express...
As a phenomenological investigation this thesis is grounded in the primal reality of the body in mot...
As dance is an instrument of expressing one’s emotion, it exists almost every society in vario...
In the past two decades, there has been a ubiquitous turn to affect theory in discourses within the ...
The purpose of this dissertation is to sketch, within an analytical framework, a theory of dance as ...
The art of performance dance in the 20th century is undergoing a transformation involving values, co...
Dance as art has been philosophically characterized as involving the natural expressivenes...
Philosophers of art draw a distinction between two broad sets of concerns: questions about aesthetic...
The goal of the paper is to develop a framework in which to ground the analysis of the aesthetics of...