The idea for the kaftan-like garment, titled Striped Robe, is the result of a presentation given by the designers at Duke University’s Nasher Museum in Durham NC, in conjunction with “Collecting Matisse and Modern Masters: The Cone sisters of Baltimore”. In fall of 2012, the codesigners were invited to give a presentation on the relationship between textile heiresses Claribel and Etta Cone, and the sisters’ patronage of Matisse and other emerging artists during the first half of the twentieth century
The inspiration of this dress came from a picture of a girl with zippers wrapped around her body. Th...
In designing the Golden Fleece Sheath Dress, my main goal was to move out of my “comfort zone” of us...
Hard vs. Soft; Long vs. Short; Metallic vs. Matte; Structure vs. Flexibility. These contrasts form t...
The inspiration for my garment came completely from African fabrics that were donated by former alum...
The purpose of this design was to create a modern looking garment by using a fusion of both new and ...
The purpose of Fun With Stripes is to use the inherent qualities of the striped fabric to create a u...
This project joined elementary, secondary, and postsecondary students with a textile museum, communi...
The designer’s objective for the creation of this 5mm silk habotai kaftan was to mimic the look of h...
The organic shaping of nature inspired the draped floral tunic. My menswear designs transcend a masc...
This design explored ways to integrate rhythmic visual movement in garment design using engineered p...
Tucked in Mourning Blue commenced from a visual study of Christian Dior’s 1947 Tourterelle and 1948 ...
The purpose of this design was to create a contemporary garment inspired by the colors of nature tha...
The inspiration for this ensemble came from the languid silk dress designs of the 1920’s. The purpos...
Colors, such as gold, turquoise, brass and black, found in Byzantine art were the inspiration for By...
This dress was inspired by an experimental drawing titled CN-III, which used figurative representati...
The inspiration of this dress came from a picture of a girl with zippers wrapped around her body. Th...
In designing the Golden Fleece Sheath Dress, my main goal was to move out of my “comfort zone” of us...
Hard vs. Soft; Long vs. Short; Metallic vs. Matte; Structure vs. Flexibility. These contrasts form t...
The inspiration for my garment came completely from African fabrics that were donated by former alum...
The purpose of this design was to create a modern looking garment by using a fusion of both new and ...
The purpose of Fun With Stripes is to use the inherent qualities of the striped fabric to create a u...
This project joined elementary, secondary, and postsecondary students with a textile museum, communi...
The designer’s objective for the creation of this 5mm silk habotai kaftan was to mimic the look of h...
The organic shaping of nature inspired the draped floral tunic. My menswear designs transcend a masc...
This design explored ways to integrate rhythmic visual movement in garment design using engineered p...
Tucked in Mourning Blue commenced from a visual study of Christian Dior’s 1947 Tourterelle and 1948 ...
The purpose of this design was to create a contemporary garment inspired by the colors of nature tha...
The inspiration for this ensemble came from the languid silk dress designs of the 1920’s. The purpos...
Colors, such as gold, turquoise, brass and black, found in Byzantine art were the inspiration for By...
This dress was inspired by an experimental drawing titled CN-III, which used figurative representati...
The inspiration of this dress came from a picture of a girl with zippers wrapped around her body. Th...
In designing the Golden Fleece Sheath Dress, my main goal was to move out of my “comfort zone” of us...
Hard vs. Soft; Long vs. Short; Metallic vs. Matte; Structure vs. Flexibility. These contrasts form t...