Volume 41, Number 11 (November 1923)

Adults and Piano Playing: Problems of the Student Who Seeks to Develop His Playing When Past the Age of Twenty (interview with Ernest Hutcheson) Stretching Exercises Word Pastel Portraits of Chopin Chopin\u27s Tempo Rubato Helpful Hints to Disheartened Students How Masterpieces are Made: Distinctive Methods Used by the Great Masters Is the Modern Piano a Perfect Instrument? Why Musical Prodigies Usually Retire Early in Life Form in Music Save Your Energy Trapping the Parent Basic Principles in Pianoforte Playing (interview with Josef Lhévinne) Why Not? Secret of Efficiency Opportunities of the Music Supervisor Development of Touch Practical Ideas on the Use of the Damper Pedal: The Palette of the Piano and How it Enriches the Tonal-Color Facts about the Russian Opera From a Teacher\u27s Correspondence Saint-Saëns Defines Music More About American Music Publishers Few Hints on Memorizing Little Foxes That Spoil the Vines Studio Reminders Pictorial Music of Yesterday and To-day Aid to Mason\u27s Technic Overcoming Octaves New Ideas in Studying Chopin To Insure Beatuy of Tone Two Opposing Schools of Pianoforte Playing Multiplying Blackboardshttps://digitalcommons.gardner-webb.edu/etude/1706/thumbnail.jp