Facing a world of images, how canartists think of new modes of production and distribution of images so that all humans can be equal before the image? During the past two years, Critical Images has gathered artists and scholars to investigate how fair representation can be guaranteed in a hyper-mediated world. This publication consists of the first attempts to investigate and thereby contribute to the question of the right to the image by the participants of Critical Images 2018/19.
This paper sets up a historical argument for how images exist in the world and how artists relate to...
In the presentation issue of the Journal –Images think, thinking with images– we intend to define th...
The popular protest of the global occupy movements sought to recreate open, egalitarian spaces to pr...
Facing a world of images, how canartists think of new modes of production and distribution of images...
THE QUESTION OF THE RIGHT TO THE IMAGE A book edited by The Abounaddara Collective with Katarina Nit...
Publishing in many arts disciplines is enriched by, and may rely on, the use of images. Authors have...
Read more at http://www.parisphoto.com/paris/program/2014/the-platform#TzDt7fJ5vHujl1SF.99“Inventing...
The studies selected for publication in this special issue on Critical Visual Theory can be divided ...
The democratisation of photography has gone hand-in-hand with the advent of the devices used for the...
Today everything happens through images, and a lot happens through photographic images. These can be...
Digital technologies have profoundly transformed the process of production and transmission of visua...
International audienceSince the late nineteenth century, with Jacob Rijs and Lewis Hine as many othe...
Considering its technological and thematical contexts, digital art conveys different – even more com...
International audienceSince the late nineteenth century, with Jacob Rijs and Lewis Hine as many othe...
This 2016 workshop on contemporary US-UK photography will take on the notion of censorship. With pho...
This paper sets up a historical argument for how images exist in the world and how artists relate to...
In the presentation issue of the Journal –Images think, thinking with images– we intend to define th...
The popular protest of the global occupy movements sought to recreate open, egalitarian spaces to pr...
Facing a world of images, how canartists think of new modes of production and distribution of images...
THE QUESTION OF THE RIGHT TO THE IMAGE A book edited by The Abounaddara Collective with Katarina Nit...
Publishing in many arts disciplines is enriched by, and may rely on, the use of images. Authors have...
Read more at http://www.parisphoto.com/paris/program/2014/the-platform#TzDt7fJ5vHujl1SF.99“Inventing...
The studies selected for publication in this special issue on Critical Visual Theory can be divided ...
The democratisation of photography has gone hand-in-hand with the advent of the devices used for the...
Today everything happens through images, and a lot happens through photographic images. These can be...
Digital technologies have profoundly transformed the process of production and transmission of visua...
International audienceSince the late nineteenth century, with Jacob Rijs and Lewis Hine as many othe...
Considering its technological and thematical contexts, digital art conveys different – even more com...
International audienceSince the late nineteenth century, with Jacob Rijs and Lewis Hine as many othe...
This 2016 workshop on contemporary US-UK photography will take on the notion of censorship. With pho...
This paper sets up a historical argument for how images exist in the world and how artists relate to...
In the presentation issue of the Journal –Images think, thinking with images– we intend to define th...
The popular protest of the global occupy movements sought to recreate open, egalitarian spaces to pr...