Writers and artists know better than anyone else what it is like to live and talk and shout and scream, knowing that there is no-one there listening. That makes a killing silence. What validates the experience of an artist is knowing that somewhere out there someone will acknowledge and share your deepest thoughts, your joys, your pains and your joys. Yet in South Africa we have lived for a very long time in the stifling isolation of our separate worlds both as individuals and groups. Only now do we as South African writers and artists self-consciously group and reach out to find fellow South African kindred spirits. (Lauretta Ngcobo 1994, 1
It is of great significance that there is such a presence of African women writers at this conferenc...
Since the official end of apartheid, different state actors and non-state actors have beenchanting t...
The purpose of the book is to engage with South African Indian writings through a critical examinati...
Lauretta Ngcobo's death in November 2015 robbed South Africa and the African continent of a signific...
International audiencePost-Apartheid Gothic: White South African Writers and Space analyzes the repr...
Nine years of photographic and interview data with Ndzundza Ndebele women artists and their families...
As commentators such as Lewis Nkosi and Malvern van Wyk Smith have noted, even though writers from S...
This essay attempts to articulate South African women’s efforts to assert their voices and presence ...
Art music composition in South Africa was an increasingly contested artistic and ideological space t...
Is the writer\u27s role simply to create art for art\u27s sake or do writers have to utilize their t...
Early in 1996 a group of Southern African women came together to compile the first historical anthol...
This article examines the nature of recent prose written in English and Afrikaans, referring to the...
This paper raises issues that affect women writers and suggests what they should strive for in order...
In the wake of apartheid, South African culture conveys the sense of being lost in time and space. T...
Lettere En WysbegeerteAfrikaans En NederlandsPlease help us populate SUNScholar with the post print ...
It is of great significance that there is such a presence of African women writers at this conferenc...
Since the official end of apartheid, different state actors and non-state actors have beenchanting t...
The purpose of the book is to engage with South African Indian writings through a critical examinati...
Lauretta Ngcobo's death in November 2015 robbed South Africa and the African continent of a signific...
International audiencePost-Apartheid Gothic: White South African Writers and Space analyzes the repr...
Nine years of photographic and interview data with Ndzundza Ndebele women artists and their families...
As commentators such as Lewis Nkosi and Malvern van Wyk Smith have noted, even though writers from S...
This essay attempts to articulate South African women’s efforts to assert their voices and presence ...
Art music composition in South Africa was an increasingly contested artistic and ideological space t...
Is the writer\u27s role simply to create art for art\u27s sake or do writers have to utilize their t...
Early in 1996 a group of Southern African women came together to compile the first historical anthol...
This article examines the nature of recent prose written in English and Afrikaans, referring to the...
This paper raises issues that affect women writers and suggests what they should strive for in order...
In the wake of apartheid, South African culture conveys the sense of being lost in time and space. T...
Lettere En WysbegeerteAfrikaans En NederlandsPlease help us populate SUNScholar with the post print ...
It is of great significance that there is such a presence of African women writers at this conferenc...
Since the official end of apartheid, different state actors and non-state actors have beenchanting t...
The purpose of the book is to engage with South African Indian writings through a critical examinati...